Robert
Rydell - Saturday 28th July 2012
CRYSTAL PALACES, CRYSTAL BALLS
AND CRYSTAL CLEAR ILLUSIONS OF PROGRESS: FROM WORLD'S FAIRS TO THE
WORLD WIDE WEB
Robert
W. Rydell is Professor of History and Director of the Montana Humanities
Institute at Montana State University. He
has written books that examine the power of the world's fairs to
define the modern world, especially to lend legitimacy to America's
growing imperial ambitions after the Civil War. Rydell demonstrates
ways that international exhibitions reveal intersections between
the cultural politics of race, class and gender and afford important
insights into the complexities of globalisation.
watch video |
Although he doesn't have a crystal ball, Prof. Rydell
does have a Crystal Palace to help with understanding future's past.
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World's
Fairs, sometimes called International Exhibitions, Universal Expositions,
or World Expos, played a pivotal role in shaping ideologies of race
and empire across the Nineteenth and Twentieth Centuries.
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The Prince of Wales done up in a one-ton butter sculpture
at the 1924-25 British Empire Exhibition. |
World's Fairs often provided blueprints of the future as in this case
at the 1937 Paris exposition where the Nazi and Soviet pavilions squared
off. |
World's Fairs remain a source of interest and inspiration as in the
case of David Gelertner's book written after he was attacked by the
Unabomber. |
We sometimes forget about the indigenous people displayed at fairs,
in this case the 1,200 Filipinos put on exhibit at the 1904 St. Louis
Fair by the U.S. government and leading anthropologists. |
In 1939, a bomb was removed from the British Pavilion at the New York
World's Fair, but it detonated, killing two policemen. Those who planted
the bomb were never identified or apprehended. |
This man standing near the British Pavilion at the 2010 Shanghai World
Expo was one of 70 million visitors to attend this exposition. |
Q & A session |
THE
REAL TRUTH A WORLD'S FAIR |
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