Suzanne Treister CV

Born London 1958
1977-78 Brighton Polytechnic
1978-81 St Martins School of Art, BA Hons
1981-82 Chelsea School of Art, MA

Represented by Annely Juda Fine Art London, England and P.P.O.W New York, USA

CURRENT & FORTHCOMING SOLO SHOWS

HEXEN 5.0, Annely Juda Fine Art, London, England
(March - May 2025)

CURRENT & FORTHCOMING SHOWS & EVENTS

Gogbot x RMT, Rijksmuseum Twenthe, Enschede, Netherlands
(12 Sept 2024 – 2 Feb 2025) further details

Future Ours, United Nations Headquarters and Citywide bus shelters, NYC, USA
In response to United Nations ‘Summit of the Future
(13/16-29 September 2024) further details

Artists’ Tarot and the Archive, Archives of Ontario, Toronto, Canada
(October 2024 - March 2025)

Tarot, una lectura desde el arte, La Casa Encendida, Madrid, Spain
(10 October 2024 - 12 Jan 2025)

Acorn Reality, Fall River Museum of Contemporary Art (FRMoCA), Fall River, Massachusetts, USA
(Oct 11 2024 – Jan 26 2025)

Beta festival, Dublin, Ireland (Collaboration with Patricia Domínguez)
(1 - 17 November 2024)

Electric Dreams, Tate Modern, London, England
(28 Nov 2024 - 1 June 2025)

Super Dakota, Brussels, Belgium
(11 Jan - 21 Feb 2025)

Postcards From the Edge, Berry Campbell Gallery, New York, USA
(January 24-26 2025)

Unknown Benevolence, Slaughterhouse, Egilsstaðir, Iceland
(25 Jan – May 2025)

Tarot: Origins & Afterlives, The Warburg Institute, London, England
(Jan – Apr 2025)
Travelling to Pinacoteca di Brera, Milan, Italy
(Summer 2025)

Future Ours, Kunsthal Charlottenborg and public sites, Copenhagen, Denmark
(Spring 2025)

Genossin Sonne/Comrade Sun, HMKV Hartware MedienKunstVerein, Dortmund, Germany
(12 September 2025 - 18 January 2026)

Life is a Drug FEED YOUR HEAD, Drugs, AI & Society, Poppi Drugs Museum, Amsterdam
(Oct 3 – Nov 14 2025)

Solstice Arts Centre, Meath, Ireland
(October 2025)

RECENT/CURRENT ARTICLES

Treisterienne, l'ovni cyberpunk. Diagrammes d'inconnus, Master of Arts Thesis by Tiphaine Scott de Martinville, TALM-Le Mans School of Fine Art (France), October 2023 pdf

Piermario de Angelis, FLOATING IN THE UNIVERSE: SUZANNE TREISTER AND THE ARTS AT CERN PROJECT, Made In Mind Magazine, MIlan, Italy. May 2023 pdf

Suzanne Treister, a lecture by Boris Ondreička in conjunction with the exhibition The Otolith Group: Xenogenesis at the Irish Museum of Modern Art, Dublin (IMMA) as part of a programme of DXG events curated by Anjalika Sagar and Kodwo Eshun of the Otolith Group, Saturday 28 and Sunday 29 January 2023 pdf

Interview with Lars Bang Larsen, Frieze, Issue 231 Nov/Dec 2022 p.88-97 read
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SELECTED SOLO SHOWS & EVENTS

2024
Suzanne Treister: From Fictional Videogames to Hypothetical Museums of the Future, The RYDER, Madrid, Spain

2023
Kabbalistic Futurism, P.P.O.W. New York, USA
Habitable Futures, Galerie Louis Gendre, Chamalières, France

2021
Technoshamanic Systems, Mattflix (online) Matt's Gallery, London, England

2020
SURVIVORS, school, Vienna, Austria
HFT The Gardener/Outsider artworks, Österreichische Gesellschaft vom Goldenen Kreuze (OEGGK), Vienna, Austria

2019
The Escapist BHST (Black Hole Spacetime), Digital Commission, Serpentine Galleries, London, England
From SURVIVOR (F) to The Escapist BHST (Black Hole Spacetime), Annely Juda Fine Art, London, England
SURVIVOR (F)/The New Planet, Sunset Digital Billboards project, IF Innovation Foundation, LA, USA
SURVIVOR (F), fig-futures at The Box (hosted by KARST), Plymouth, England

2018
Le voyage à Bordeaux de Suzanne Treister - Histoires parallèles et récits excentriques, CAPC musée d'art contemporain de Bordeaux, France

2017
Works from SURVIVOR (F), IMT Gallery, London, England

2016
HFT The Gardener, P.P.O.W., New York, USA
HFT The Gardener, Annely Juda Fine Art, London, England
HFT The Gardener, Exhibition Research Lab (ERL)/Liverpool Biennial 2016, Liverpool, England

2015
HEXEN 2.0, Fig-2, ICA, London, England
Post-Surveillance Art, Acting Out festival, Primary, Nottingham, England
Rosalind Brodsky's Electronic Time Traveliing Costumes, Schaufenster am Hofgarten, Kunstverein München, Munich, Germany
HEXEN 2.0, Aksioma Project Space, Ljubljana, Slovenia

2014
Event: Post-Surveillance Art, at Chisenhale Gallery, London
Post-Surveillance Art, Maggs Bookshop, London, England
Supper for Snowden, Supper Club, Die AU café/restaurant, Thyssen-Bornemisza Art Contemporary, Vienna, Austria further info

2013
In The Name of Art and Other Works , Annely Juda Fine Art, London, England
HEXEN 2.0 , Cleveland Institute of Art (CIA), Cleveland, Ohio, USA
HEXEN 2.0 , P.P.O.W, New York, USA
Grimoir du Futur, Espace Multimédia Gantner, Bourogne, France

2012
THE REAL TRUTH A WORLD'S FAIR, Raven Row, London
HEXEN 2.0, D21 Kunstraum, Leipzig, Germany
HEXEN 2.0, Hartware MedienKunstverein, Dortmund, Germany
HEXEN 2.0, Science Museum, London, England
HEXEN 2.0/Literature, WORK Gallery, London, England

2011
HEXEN 2.0, DEATH BE KIND, Melbourne, Australia

2009
MTB [Military Training Base], Alma Enterprises, London

2008
NATO Black Dog Publishing, London, UK
3 Projects, Annely Juda Fine Art, London, England
HEXEN 2039 and Alchemy, Galerie Lorenz, Frankfurt, Germany
Alchemy P.P.O.W New York, USA
HEXEN 2039, Kunstverein Langenhagen, Germany

2007
HEXEN 2039, Skolska 28, Prague, Czech Republic http://www.skolska28.cz/
HEXEN 2039, New Art Gallery Walsall, UK
HEXEN 2039, Book launch and screening, City Lights, San Francisco, USA
HEXEN 2039, Screening, Star and Shadow Cinema, Newcastle upon Tyne, UK

2006
HEXEN 2039, Multi-venue project across London. Installation: CHELSEA space; Screening: Warburg Institute; Interverventions: Ognisko Polskie, Science Museum, British Museum; Event: Dana Centre and the internet www.hexen2039.net Funded by Arts Council of England.
VESNA, (video installation) Commission for Art under construction: the Balkans in context, City Atrium,Social Sciences Building, City University, London, England

2004
Operation Swanlake, Annely Juda Fine Art, London, England.
Operation Swanlake, Kunstlerhaus Bethanien, Berlin, Germany.
Operation Swanlake, MOP project space, Sydney, Australia.

2001
Rosalind Brodsky - Music case history, Briefcase project, Hollywood Hotel + mobile, Sydney.

2000
Sightings/Archives from the Institute of Militronics and Advanced Time Interventionality, Digimatter/Grey Matter, Sydney.
Sightings, Greenaway Gallery, Adelaide.

1999
Odyssey, (an investigation into the lives of Rosalind Brodsky and Pope Alice) Institute of Modern Art, Brisbane.
No Other Symptoms - Time Travelling with Rosalind Brodsky, (CD ROM and video installation) Artspace, Sydney.
No Other Symptoms - Time Travelling with Rosalind Brodsky, CD ROM - Launch event with performance (involving Richard Grayson, Susan Hiller, Pauline van Mourik Broekman, Elaine Pyke and James Flint) and 'Ghosts of Maresfield Gardens' video installation, Freud Museum, London, England.

1997
Dying for your sins, (CD ROM) Australian Centre for Contemporary Art, Melbourne.

1996
Time Travelling with Rosalind Brodsky, The Tannery-project space, London, England.
Dying for your sins, (CD ROM Installation) Institute of Modern Art, Brisbane.
Kitsch'n Shrink, Greenaway Gallery, Adelaide.

1995
Q.Would you recognise a Virtual Paradise?, Mizuma Art Gallery, Tokyo.

1994
Q.Would you recognise a Virtual Paradise?and other paintings, Contemporary Art Centre of South Australia.
Q.Would you recognise a Virtual Paradise?, Australian Centre for Contemporary Art, Melbourne.

1993
Q.Would you recognise a Virtual Paradise?, Exeter Hotel, Adelaide.
Recorded Evidence:Prosthetic Speech, [RE] Gallery, Adelaide.
Software, Union Gallery, University of Adelaide.

1992
Edward Totah Gallery, London.
Between the Clues lies the Evidence, PostWest, Adelaide.

1990
Edward Totah Gallery, London.
Kerlin Gallery, Dublin.
Ikon Gallery, Birmingham: Major Arts Council touring exhibition, to: Spacex, Exeter; Oldham Art Gallery; The Minories, Colchester; Darlington Arts Centre; Nottingham Castle Art Gallery.

1988
Edward Totah Gallery, London.

1985
Edward Totah Gallery, London.

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PUBLIC ART COMMISSIONS

2022
Holbaek Art, Public art project, Holbaek, Denmark

2018
Hayward Gallery commission for Art Night, SURVIVOR (F) + Interplanetary Dresses For Space Travel, Battersea Power Station hoardings, London, England

2018
Sci-Fi episode #1: PRELUDE: Works from SURVIVOR (F), Public art project on the occasion of the 18th edition of the Trieste Science+Fiction Festival, Trieste, Italy

2013-2022
Bordeaux/Garonne Public Art Project, The Spaceships of Bordeaux / Les vaisseaux de Bordeaux

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SELECTED GROUP SHOWS/COLLABORATIONS/FESTIVALS/EVENTS

2024
Electric Dreams, Tate Modern, London, England
Beta festival, Dublin, Ireland (Collaboration with Patricia Domínguez)
Acorn Reality, Fall River Museum of Contemporary Art (FRMoCA), Fall River, Massachusetts, USA
Tarot, una lectura desde el arte, La Casa Encendida, Madrid, Spain
Artists’ Tarot and the Archive, Archives of Ontario, Toronto, Canada
Future Ours, United Nations Headquarters and Citywide bus shelters, NYC, USA in response to United Nations ‘Summit of the Future
Gogbot x RMT, Rijksmuseum Twenthe, Enschede, Netherlands
HOPE – who will turn the tide, Ars Electronica, Linz, Austria
Unknown Benevolence, Icelandic Art Center, Reykjavík, Iceland
Are you living in a computer simulation?, The Little Machine, Adelaide, Australia
Space Show: Lunar Lullabies, Firstsite, Colchester, England
Klima Biennale 2024, Genossin Sonne/Comrade Sun, Kunsthalle Wien, Vienna, Austria
HFT The Gardener screening, The Balcony, The Hague, Netherlands
Drawing Biennial 2024, Drawing Room, London, England
The Ecologies of Peace, TBA21 at C3A Centro de Creación Contemporánea, Córdoba, Spain
The Fool's Journey, Eighteen Gallery, Copenhagen, Denmark
MUD, Petzel, New York, USA
Power Up, Technical Imaginaries and Social Utopias, La Kunsthalle Mulhouse, centre d’art contemporain, Mulhouse, France
Making Visible, Harlan Levey Projects, Brussels, Belgium
Holding Cosmic Dust, Corinium Museum, Cirencester, England
Postcards From the Edge, Berry Campbell Gallery, New York, USA

2023
THE COSMOS WITHIN, ARoS Kunstmuseum, Aarhus, Denmark
14th Shanghai Biennale, Power Station of Art, Shanghai, China
27th Ji.hlava International Documentary Film Festival, Jihlava, Czech Republic
On the Edge of Heaven: Visions, Museum Krona, Uden, Netherlands
HOPE, MUSEION - Museum of Modern and Contemporary Art, Bolzano, Italy
YOUR HOME’S A WORLD AWAY, MLZ Art Dep, Trieste, Italy
GOGBOT Festival, Enschede, Netherlands
Dark Matters, Science Gallery, Melbourne, Australia
Invocations, MACBA Chapel, Barcelona, Spain
New Directions May Emerge, Helsinki Biennial, Vallisaari Island, Helsinki, Finland
Chaleur humaine, Art & Industry Triennial, Lieu d'Art et Action Contemporaine (LAAC), Dunkerque, France
WORLDBUILDING: Jeux vidéo et art à l’ère digitale, Centre Pompidou-Metz, Metz, France
Imagine a Breath of Fresh Air, Teatr and Galeria Studio, Palace of Culture and Science, Warsaw, Poland
Which Gender Has Care? A cycle in four acts based on Frigga Haug's four-in-one perspective, D21 Kunstraum, Leipzig, Germany
Edenworld, Le Bel Ordinaire, Billère, France
HUMAN IS, Schinkel Pavillon, Berlin, Germany
Rituals of Devotion, McEvoy Foundation for the Arts, San Francisco, USA
a model, a map, a fiction, Transmediale 2023, Berlin, Germany
Artificial Incantations, P–OST, Nijmegen and Arnhem, Netherlands

2022
Minimal Art Gallery_Take advantage of the moment, Albertinum, Dresden State Art Collections, Dresden, Germany
Dreaming Quantum Futures, Goethe Institut's Living in a Quantum State programme, Somerset House, London, England
Spiritual Technology, High Line, New York, USA
Vertical Atlas, Het Nieuwe Instituut, Rotterdam, Netherlands
The Horror Show!, Somerset House, London, England
power Power, MAW (Middlesbrough Art Weekender) Festival, Middlesbrough, England
21ème Nuit des Musées de Lausanne, Plateforme 10, Lausanne, Switzerland
Suzanne Treister Kabbalistic Futurism/Manuscripts/Audio2, Montez Press Radio, New York, USA play
Court circuit, La Labomedia at Le 108, Orléans, France
Unlimited, Art Basel, Switzerland
WORLDBUILDING: Gaming and Art in the Digital Age, Julia Stoschek Collection’s 15TH Anniversary Exhibition, JSC Düsseldorf, Germany
Holbaek Art, Public art project, Holbaek, Denmark
Tactics of Augmented Dreams, La Verrière - Fondation d'entreprise Hermès, Bruxelles, Belgium
power POWER, MAW (Middlesbrough Art Weekender) Festival, Middlesbrough, England
Post Totem, OHSH PROJECTS, 106 New Oxford Street, London
R.A.W. or the sirens of Titan, Kunstmuseum + Kunsthalle Appenzell, Switzerland
Ars Memoriae - The Art to Remember, 601 Artspace, New York, USA
Je ne reviens jamais sur mes pas, La Chaufferie, HEAR, Strasbourg, France
The World We Live In, Arts Council Collection Touring Exhibition - Leicester Museum and Art Gallery; Norwich Castle Museum & Art Gallery; Glynn Vivian, Swansea
Icone vegetali. Arte e botanica nel secolo XXI /Vegetal Icons. Art and botany in the 21st century, Museo Villa dei Cedri, Bellinzona, Switzerland
Not Without My Ghosts, Hayward Gallery Touring exhibition, Glynn Vivian Art Gallery, Swansea, Wales
Group Show, Annely Juda Fine Art, London, England

2021
Codex Subpartum, Marres, Huis voor Hedendaagse Cultuur, Maastricht, Netherlands
Doomed and Famous: Selections from the Adrian Dannatt collection, Rebecca Hossack Gallery, London, England
Memeplex™, Seventeen, London, England
Back to Future. Technikvisionen zwischen Science-Fiction und Realität, Museum für Kommunikation, Berlin, Germany
Data Streams, The Glucksman, University College Cork, Ireland
Open World: Video Games & Contemporary Art, Oklahoma Contemporary Arts Center, Oklahoma, USA
To the Edge of Time, KU University Library galleries, Leuven, Belgium
Not Without My Ghosts, Hayward Gallery Touring exhibition, Grundy Art Gallery, Blackpool, England
technoschamanismus, Hartware MedienKunstVerein (HMKV), Dortmund, Germany
ECLIPSE, 7th Athens Biennale, Athens, Greece
Ha Ha Ha, l’humour de l'art, Kanal — Centre Pompidou at ING Art Center, Brussels, Belgium
ISKRA DELTA, 34th Ljubljana Biennale of Graphic Arts, Ljubliana, Slovenia
The World is Flat Again, Muzeum Sztuki, Lodz, Poland
The Great Invocation, Garage, Rotterdam, Netherlands
Weird Gnosis, IMPAKT Foundation, Utrecht, Netherlands (online)
Conflict in My Outlook_Don’t Be Evil, University of Queensland Art Museum, Brisbane, Australia
A Very Special Place: Ikon in the 1990s, Ikon Gallery, Birmingham, England
Yugen App, Porto Design Biennial, Portugal
Drawing Biennial 2021, Drawing Room, London, England
The Secret Life of Plants, Casa da Cerca, Almada, Portugal
Activist Neuroaesthetics: Part 2: Sleep and Altered States of Consciousness, Kunstverein am Rosa-Luxemburg Platz, Berlin, Germany
The Unbody, an online exhibition, P.P.O.W. Gallery, New York USA
Constellations #2, Espace multimédia Gantner, Bourogne, France
Calculation Control: Netzkunst und Kybernetik, Haus der Statistik, Alexanderplatz, Berlin, Germany
Artificial Spring, xviix, http://www.xviix.com
Virtual Exhibition, GAG Projects, Adelaide, Australia/Berlin, Germany
Après Une Traversée Heureuse, Casino Luxembourg and Luxembourg City Film Festival, Luxembourg
Age of You: a kaleidoscopic exploration of the extreme self, Jameel Arts Centre, Dubai, United Arab Emirates

2020
Of Roots and Clouds, Sapporo International Art Festival 2020 Plans and Ideas–We will bring the cancelled exhibition SIAF2020 to you by any means possible
Back to Future. Technikvisionen zwischen Science-Fiction und Realität, Museum für Kommunikation, Frankfurt am Main, Germany
Nature of Robotics: An Expanded Field, EPFL Pavilions, Swiss Federal Institute of Technology, Lausanne, Switzerland
QUANTICA, KUMU, Tallinn, Estonia October
#WIP, Queer Art Projects Digital https://www.queerartprojects.co.uk/
BIG D@T@! BIG MON€Y!, Halle 14 – Zentrum für zeitgenössische Kunst, Leipzig, Germany
We Never Sleep, Schirn Kunshtalle, Frankfurt, Germany
The Time Complex, Yerevan Biennial 2020-2021, Yerevan, Armenia
I've Never Seen The Sky Like This Before..., Southwest Contemporary, Adelaide, Australia
disturbance: witch, ZAK (Zentrum für Aktuelle Kunst), Spandau Zitadelle, Berlin, Germany
Not Without My Ghosts, Hayward Gallery Touring exhibition, Drawing Room, London, England
Open World: Video Games & Contemporary Art, Currier Museum of Art, Manchester, NH, USA
Summer Exhibition, Annely Juda Fine Art, London, England
Common Knowledge - Ideas to Counter the Information Crisis, BIO26 | Biennial of Design, Ljubljana, at the Kunstgewerbemuseum, Dresden, Germany
Leaning on the Past, Working for the Future, WUK/Kunsthalle Exnergasse, Vienna, Austria https://www.wuk.at/en/events/2019/leaning-on-the-past-working-for-the-future/
Zahl, Rythmus, Wandlung - Emma Kunz und Gegeswartskunst, Kunsthalle Ziegelhütte Appenzell, Switzerland
The new outside, Upstream Gallery, Amsterdam, Netherlands (online) https://upstream.gallery/
Hell is a Place on Earth Heaven is a Place in Your Head, an online exhibition, P·P·O·W, New York, USA https://www.hellisaplaceonearth.com/
Splendid Isolation, Annely Juda Fine Art, London, England
The Collectors Room (Houdini), JGM Gallery, London, England
Broken Symmetries – Art × Physics, National Taiwan Museum of Fine Arts, Taiwan
Shaking the habitual, Galeria Duarte Sequeira, Braga, Portugal
QUANTUM: IN SEARCH OF THE INVISIBLE, iMAL, Brussels, Belgium
Rhizomatic Spell, Kvalitar Gallery, Prague, Czech Republic

2019
Narcisse ou la floraison des mondes, Frac Nouvelle-Aquitaine MÉCA, Bordeaux, France
BIO26| Common Knowledge, Ljubljana Design Biennial, Museum of Architecture and Design (MAO), Ljubljana, Slovenia
Plant Revolution!, CIAJG, Guimãraes, Portugal
Open World: Video Games & Contemporary Art, Akron Art Museum, Ohio, USA
Mud Muses, A Rant About Technology, Moderna Museet, Stockholm, Sweden
Hadaly et Sowana, cyborgs et sorcières (Witches and Cyborgs), Espace Multimédia Gantner, Bourogne, France
Nothing Less! Hundred Years of Women's Suffrage, Austrian Cultural Forum, London, England
1000 Ecologies, Le Commun, Bâtiment d’Art Contemporain, Geneva, Switzerland
ON EDGE – Living in an age of anxiety, Science Gallery, London, England
The Seventh Continent, 16th Istanbul Biennial, Istanbul, Turkey
Age of You, Museum of Contemporary Art, Toronto, Canada
What Lies Within: Centre of the Centre, Museum of Contemporary Art and Design (MCAD), Manila, Philippines
Tainted Love, Canberra Contemporary Art Space, Canberra, Australia
ZKM Seasons of Media Arts, City of Participative Visions, Public spaces Karlsruhe, Germany
Supernormal Festival, Braziers House, Braziers Park, Oxfordshire, England
Computer Grrrls, MU, Eindhoven, Netherlands
Video art programme, MACRO Museum, Rome, Italy
Zoextropy. The Posthuman Beauty, Museum Centre del Carme, Valencia, Spain
Augmented Humanity / Umanità Aumentata, WILD MAZZINI - Data art gallery, Turin, Italy
TRANS WORLD, Nicodim Gallery, Los Angeles, USA & Nicodim Gallery, Bucharest, Roumania
Through the Black Mirror, in association with Reality Turn conference, Luznava Manor, Rezekne, Latvia
You Say You Want a Revolution: Records & Rebels 1966-70, Melbourne Museum, Melbourne, Australia
New Age, New Age: Strategies for Survival, DePaul Art Museum, Chicago, USA
Ocular Inc, Thameside Studios Gallery, London England
Smoke and Mirrors: The Psychology of Magic, Wellcome Collection, London, England
QUANTICA, CCCB Barcelona, Spain
FMR LINZ 019, Linz, Austria
Phytopia, Glynn Vivian Art Gallery, Swansea, Wales
Computer Grrrls, La Gaîté Lyrique, Paris, France
Drawing Biennial 2019, The Drawing Room, London England
Liquid Crystal Display, MIMA, Middlesbrough, England
Postcards from the Edge, Bortolami Gallery, New York, USA
Des attentions, Centre d'art contemporain d'Ivry - le Crédac, Ivry-sur-Seine, France

2018
Inhuman Art, ScreenSaverGallery (online) & presented at: PAF – Festival of Film Animation and Contemporary Art, Olomouc, Czech Republic
Broken Symmetries, FACT, Liverpool, England
50 Years – 50 Artists, Annely Juda Fine Art, London, England
Sci-Fi episode #1: PRELUDE, Public art project on the occasion of the 18th edition of the Trieste Science+Fiction Festival, Trieste, Italy
Agency, NOME, Berlin, Germany
Computer Grrrls, Hartware MedienKunstVerein (HMKV), Dortmund, Germany
At the Gates, Talbot Rice Gallery, The University of Edinburgh, Scotland
You Say You Want a Revolution: Records & Rebels 1966-70, ING Art Center, Place Royale 6, 1000 Bruxelles
Im Zweifel für den Zweifel, NRW-FORUM DÜSSELDORF, Germany
The War of Nerves: Psychological Landscape of the Cold War, The Wende Museum, The Armory, Culver City, California, USA
Liquid Crystal Display, Site Gallery, Sheffield, England
GROUP PORTRAIT WITH GARDEN, Mecklenburgh Square, London, England
Divided We Stand, Busan Biennale 2018, Busan, South Korea
Hayward Gallery commission for Art Night, SURVIVOR (F) + Interplanetary Dresses For Space Travel, Battersea Power Station hoardings, London, England
Letters of Last Resort, Damien & The Love Guru, Brussels, Belgium
Cloudbusters. Intensity vs Intension, Tallinn Print Triennial, Contemporary Art Museum of Estonia (EKKM), Tallinn, Estonia
When Facts Don't Matter, Lismore Castle Arts, Lismore, Ireland
BLACK LIGHT: Hermetic Traditions in Contemporary Art Since the 1950s, Centre de Cultura Contemporània de Barcelona (CCCB), Barcelona, Spain
Now Play This, Somerset House, London, England
Magic Circle, Kunstraum Niederösterreich, Vienna, Austria
Altered States. Substances in Contemporary Art, Kunstpalais & Städtische Sammlung Erlangen, Germany
Perpetual Uncertainty, Malmö Konstmuseum, Sweden
Phytopia, Thames-Side Studios Gallery, London, England
Postcards from the Edge, Gallery 524, New York, USA

2017
Revolution: Records and Rebels 1966 - 1970 dai Beatles a Woodstock, V&A touring exhibition, Fabbrica del Vapore, Milan, Italy
Black Mirror, The Gallery, Arts University Bournemouth, England
Phytopia, Milton Gallery, St. Paul's School, London, England
0100011111010100, Le numérique dans les collections des FRAC du Grand Est,  Maison de la Région, Strasbourg, France
Techno-ésotérisme et animisme digital, Festival international des Arts multimédia GAMERZ 13ème édition, Aix-en-Provence, France
Parapolitik: Kulturelle Freiheit und Kalter Krieg, Haus der Kulturen der Welt, Berlin, Germany
Haunted Machines & Wicked Problems: Myth, Magic & Monsters, Casco/Fotodok, Impakt Festival, Utrecht
Perpetual Uncertainty, Z33, Hasselt, Belgium
Open Codes, Living in Digital Worlds, ZKM, Karlsruhe, Germany
The World Without Us, Mali Salon, Museum of Modern and Contemporary Art, Rijeka, Croatia
FIBER & LIQUIDS, Darknet exhibition. Kunstverein Harburger Bahnhof, Hamburg, Germany; Kunsthaus Graz, Austria. In cooperation with Galerie für Zeitgenössische Kunst Leipzig, Germany
Visual Notes for an Upside-Down World, P.P.O.W., New York, USA
'&', Muzeum Sztuki, Lodz, Poland
The World Without Us, Vžigalica Gallery, Ljubljana, Slovenia
You Say You Want a Revolution: Records & Rebels 1966-70, Montreal Museum of Fine Arts, Montreal, Canada
WINDOWS, Computer + Software, (shop window project), Basel, Switzerland
WRO Biennale 2017: DRAFT SYSTEMS, WRO Art Center, Wroclaw, Poland
Hybrid Landscapes, Digital Catapult, London, England
As Above, So Below: Portals, Visions, Spirits & Mystics, IMMA–Irish Museum of Modern Art, Dublin
Memoirs Found in a Bathtub, Minibar, Stockholm, Sweden
Ruse: the artfulness of deceit, Holden Gallery, Manchester School of Art, UK
Planetary Gardening, Photo Access, Manuka Arts Centre, Canberra, Australia
Drawing Biennial 2017, Drawing Room, London, England
Evidentiary Realism, Fridman Gallery New York, USA
Artefact: the Act of Magic, Stuk Kunstcentrum, Leuven, Belgium
Tropical Hangover, Tenderpixel, London, England
alien matter, Transmediale 2017, Haus der Kulturen der Welt, Berlin, Germany
Trans-Subjective Engagements, Koenig and Clinton, New York, USA
Postcards from the Edge, Metro Pictures, New York, USA
Underlying system is not known - Current trends in pattern and repetition, Western Exhibitions, Chicago, USA

2016
New World Order, Casula Powerhouse, Sydney, Australia
Collective Task, 67 Ludlow Street, New York, USA
The Museum of Rhythm, Muzeum Sztuki ms1, Lodz, Poland
The Fevered Specters of Art—Die fiebrigen Gespenster der Kunst, Edith-Russ-Haus, Oldenburg, Germany
The World Without Us, Hartware MedienKunstVerein (HMKV), Dortmund, Germany
Perpetual Uncertainty, Bildmuseet, Umea, Sweden
New Mythologies, launch exhibition, POSTmatter, Second Home, London, England
You Say You Want a Revolution: Records & Rebels 1966-70, Victoria and Albert Museum, London, England
500 años sin lugar: un regreso a la isla de Utopía, La Fundació Palma Espai d’Art, Palma, Mallorca, Spain
Liverpool Biennial 2016, Liverpool, UK
The Hellstrom Chronicle, Galerie Barbara Weiss, Berlin, Germany
Hailweed, Auto Italia, London, England
Third Nature: On Infrastructure, Alchemy and its Futures, CCS Bard Hessel Museum, Annandale-on-Hudson, NY, USA
Anarchronisme, Espace Multimédia Gantner, Bourogne, France
Fourteen Turns: Meditations on a Coffee Mill, Lubomirov/Angus-Hughes, London, England
WE transFORM: Design between Dystopia and Utopia, Neues Museum, Nuremberg, Germany
Signal to Code: 50 Years of Media Art in The Rose Goldsen Archive, Hirshland Exhibition Gallery, Cornell University, Ithaca, NY USA

2015
(Artifical Intelligence) Digitale Demenz, Hartware MedienKunstVerein, Dortmund, Germany
A Foreign Encounter, Galerie FOE 156, Munich, Germany
Digitale Demenz (Artificial Intelligence), EIGEN + ART Lab, Berlin, Germany
I See, So I See So. Messages from Harry Smith, Temporary Gallery, Zentrum für zeitgenössische Kunst, Cologne, Germany
Infosphere, ZKM | Center for Art and Media Karlsruhe, Germany
Control Mode Feedback, HALLE 14, Leipzig, Germany
Graphics Interchange Format: 25 Years of Focal Point Gallery, Focal Point, Southend, England
Island - Adaptation II, g39 Cardiff, Wales
Algorithmic Rubbish: Daring to Defy Misfortune, Stedelijk Museum Bureau Amsterdam (SMBA), Amsterdam, Netherlands
Air de Jeu, Extension du Domaine du Jeu (Broadening of the game-field), Le Nouveau Festival du Centre Pompidou 6th Édition. Espace 315, Centre Pompidou, Paris, France
Anarchronism, iMAL, Center for digital cultures and technology, Brussels, Belgium
Anonymity no longer an option, SEVEN, Pierogi The Boiler, Brooklyn, New York, USA
Test Exposure, 16th WRO Media Art Biennale, WRO Art Center, Wroclaw, Poland
De Dingen en De Materialen/Things and Materials: Glass, Het Nieuwe Instituut, Rotterdam, Netherlands
Edge of Control, Academy of Media Arts Cologne, Germany
Telling Lies, Rua Red, Dublin, Ireland
RARE EARTH, Thyssen-Bornemisza Art Contemporary-Augarten, Vienna, Austria
Postcards from the Edge AIDS benefit, Luhring Augustine, New York, USA
Sex Shop, Transition Gallery, London, England
Drawing Biennial 2015, Drawing Room, London, England
Welcome to the Future! the floppy cd-rom revolution (or the short life of born-digital art), iMAL Center for digital cultures and technology, Brussels, Belgium

2014
Social Factory: 10th Shanghai Biennale, China
L'avenir (looking forward), 8th Biennale de Montréal, Musée d’art contemporain de Montréal, Canada
ING Discerning Eye, Mall Galleries, London
A Politics of Drawing: Proposal for a Method of Transformation, Barbara Walters Gallery, Sarah Lawrence College, Bronxville, NY, USA
Sex Shop, Folkestone Triennial satellite exhibition, Folkestone, England
Treasure of Lima: A Buried Exhibition, T-B A21 - Thyssen-Bornemisza Art Contemporary, Vienna/Cocos Island, Costa Rica
BLACKMODULAR (first edition), Modern Art Projects (MAP), House of Joyce Hinterding and David Haines, Lawson, Blue Mountains, Sydney, Australia
Média Médiums, YGREC Gallery, Paris, France
Networks in Reverse, lecture performance, at Radical Enlightenment symposium, Adelaide Festival - Artists' Week, curated by Lars Bang Larsen, Adelaide, Australia
The Art of Tarot, The Bank, Eye, Suffolk, England
Outrageous Fortune: Artists Remake The Tarot, A Hayward Touring/Focal Point Gallery exhibition, Phoenix Gallery, Exeter, England
Songes numériques, Gymnase-espace culturel, Fort Griffon à Besançon, l'Université de Franche-Comté, France
Imagination of Matter: An exhibition in memory of Monica Ross, New School House Gallery, York, England
Of Häxan and Hexen 2.0, Curious Matters Forum, curated by Petra Lange-Berndt, Department of History of Art, University College London, England, 22 Jan 2014 view images

2013
Artists of the Colony Room, England & Co, London, UK
footnotes17, Guardian gallery, Kings Place, 90 York Way, London, England
Microutopias of the everyday: Exhibition of the collection of CoCA Torun, Centre of Contemporary Art Torun, Poland
Systemics #2 - As we may think (or the next world library), Kunsthal Aarhus, Denmark
The Whole Earth. California and the Disappearance of the Outside, Haus der Kulturen der Welt, Berlin, Germany
Chick Lit: Revised Summer Reading, Tracy Williams Ltd, New York, USA
Radical Enlightenment. A Symposium on Cybernetics and the Soul, Palais de Tokyo, Paris, France
A World of Wild Doubt, Hamburger Kunstverein, Hamburg, Germany
Drawing Biennial 2013, The Drawing Room, London, England
Illustrative 13 Berlin, Direktorenhaus, Berlin, Germany
Symposium project, >Schutzraum Politik Ästhetik Medien< (>Protective Space< Politics Aesthetics Media), Thealit, Bremen, Germany

2012
Intersections: Science in Contemporary Art, Weizmann Institute of Science, Rehovot, Israel
Plus ou moins sorcières 3/3 : Hugger-Mugger, La Maison Populaire, Montreuil, Paris, France
Turn to Red, FLOOD, Dublin, Ireland
Horticulture, Galerie Lorenz, Frankfurt, Germany
Utopia - oder die Sehnsucht nach dem Nichts, Galerie Pankow, Berlin, Germany
RADIANT CASANOVA / LOHN DER ANGST / DIE HITZE IN PARIS / HEXEN 2.0, Laura Mars Grp, Berlin, Germany
Mutatis Mutandis, curated by Catherine David, Secession, Vienna, Austria
THERE IS NOT AND NEVER HAS BEEN ANYTHING TO UNDERSTAND!, ASC Gallery, London, England
Papier a en-tete (Letterhead ), Cabinet du livre d'artiste, Rennes II University Gallery, France
Collection Espace multimédia gantner, Festival Electrochoc, Abattoirs a Bourgoin-Jallieu, France
The Curator's Egg, Altera Pars, Anthony Reynolds Gallery, London
The Museum Problem, Frutta, Rome, Italy
Malas Escrituras, Galeria Nieves Fernandez, Madrid, Spain

2011
Remise en Jeu, La Kunsthalle Mulhouse Centre d'art contemporain, France
Secret Societies, Schirn Kunsthalle, Frankfurt, Germany; CAPC, Musée d'art Contemporain de Bordeaux, France
The True Artist Helps the World by Revealing Magick Truths, D21 Kunstraum, Leipzig, Germany
Art/Systeme/Poésie, In Situ / Fabienne Leclerc, Paris, France
The Big Society, Galerie GP&N Vallois, Paris, France
Everyday, Ruskin Gallery, Cambridge School of Art, England
Outrageous Fortune, Hayward Touring show, Focal Point Gallery, Southend. Tour: Queens Hall Arts Centre, Hexham; Jersey Arts Centre, St Helier; Mac, Birmingham; The Gallery, York College, York, England
Drawing 2011, Biennial Fundraiser, Drawing room, London, England
Works from the collection of Espace Multimédia Gantner, Bcubico Art Center, Recife, Brazil
Nouvelles du Jour, JTM Gallery, Paris, France

2010
East End Promise: A Story of Cultural Migrants 1985-2000, Londonewcastle Project Space, London
4x6 inches, Galerie Lorenz, Frankfurt, Germany
Art numérique de la Collection de l'Espace Multimedia Gantner, Galerie de la Scene Nationale, Le Granit Belfort, France
Cross-fades. Reconstructing the Future, Shedhalle Zurich, Switzerland
Shift Electronic Arts Festival, Basel, Switzerland
Parallel Re Mix, Leonard Hutton Galleries, New York, USA
London Psychogeophysics Summit, with SPACE Media Arts, openmute.org and HTTP gallery/Furtherfield, London, England
Reinventing Ritual, Contemporary Jewish Museum, San Francisco, USA
Magic Show, Hayward touring show: Grundy Art Gallery, Blackpool; Tullie House Museum and Art Gallery, Carlisle; Chapter, Cardiff; Pump House Gallery, London, England
Awake are only the Spirits, Center for Contemporary Art Znaki Czasu (CoCA) Torun, Poland
Should I Stay or Should I Go, A question rehearsed by RUN, CHELSEA space 5th Anniversary Exhibition, CHELSEA Space, London, England
Making Ships in Bottles, CGP, Southwark, London, UK
Documentalist, Collective Gallery, Edinburgh, Scotland

2009
Reinventing Ritual, The Jewish Museum, New York, USA
Magic Show, Hayward touring show: Quad, Derby, England
Insiders - pratiques, usages, savoir-faire, CAPC Museum of Contemporary Art, Bordeaux, France
Scorpio's Garden, Temporary Kunsthalle, Berlin, Germany
Planet of Signs, Le Plateau Art Center, FRAC Paris, Ile de France
Image Search, P.P.O.W New York, USA
Tactical Support: Curator's Choice Tracy WIlliams Ltd, New York, USA
Awake are only the Spirits, Hartware MedienKunstVerein (HMKV), PHOENIX Halle, Dortmund, Germany
Drawing 2009 - Biennial Fundraiser, The Drawing Room, London, England
The Secret of the Ninth Planet, CCA Curatorial Practice exhibition, Queens Nails Projects, Photo Epicenter and the Studio for Urban Projects, San Francisco, USA
Histoires a l'ere numérique - works from the collection of Espace Multimédia Gantner, [plug.in], Basel, Switzerland
Gothic, Contemporary Art Society fundraiser event, Sotheby's New Bond Street, London, England

2008
Tina B, The Prague Contemporary Art Festival, Billboard Text Art - EMERGING WOR(L)DS
Obama Fundraiser, P.P.O.W, New York, USA
By Invitation Only 2, Kinz, Tillou + Feigen, NY, USA
Bad Year Blimp, Alma Enterprises, London, England
The Disarmory Show, a dBfoundation project, 201 Mulberry Street, New York, USA
Gegen den Strich, Bielefelder Kunstverein, Germany

2007
Gegen den Strich, Kunstlerhaus Bethanien, Berlin, Germany
How We May Be, Late at the Tate, Tate Britain, London, England
Jerwood Drawing Prize, Jerwood Gallery, London and UK tour
3Things, (curated by Donald Smith) RUN Gallery, London, England
ARTIST MAKES VIDEO: art rage survey 1994-1998, art rage: artworks for television, DELL Gallery@QCA , Brisbane, Australia
Annely Juda - A Celebration, Annely Juda Fine Art, London, England
FILE RIO (HEXEN 2039 website) - festival internacional de linguagem eletr™nica, Centro Cultural da Oi Futuro, Rio de Janeiro, Brazil

2006
Flash on the Screen, Basekamp space, Philadelphia, USA
DUSK, by Raul Zamudio, (curatorial section of Digital Video Art Fair (DiVA)) Lummus Park, Ocean Drive, Miami Beach, FL, USA
Drawing from Turner, Clore Gallery, Tate Britain, London, England
FILE 2006 (HEXEN 2039 website) - festival internacional de linguagem eletr™nica, SESI Gallery, Sao Paulo, Brazil.

2005
The Blur of the Otherworldly: Contemporary Art, Technology and the Paranormal, The Center for Art and Visual Culture, University of Maryland Baltimore County, USA and touring USA
https://cadvc.umbc.edu/blur-of-the-otherworldly-contemporary-art-technology-and-the-paranormal/
NATO, project space at Annely Juda Fine Art, Frieze, London.
ICOLS Strategy Defense and Arms Fair, The Performance Space, Sydney, Australia
Glasgow International, ICOLS Strategy Defense and Arms Fair, RISK, CCA, Glasgow, Scotland
ICOLS audio, finetuned, ETA Project Space, Hove, UK
10th Anniversary Exhibition, Mizuma Art Gallery, Tokyo, Japan
Don't Call it Performance, Konceptkonstmuseum, Rydboholm, Sweden
ICOLS in Evolutionare Zellen Archive, NGBK, Berlin, Germany
Bodies Through Technology, Tompkins County Public Library, Ithaca, New York, USA.
Operation Swanlake, Transmediale.05 Haus der Kulturen der Welt, Berlin, Germany

2004
Don't Call it Performance, Centro Andaluz de Arte Contempor‡neo,Seville, Spain; Domus Artium 2002 (DA2) Salamanca, Spain; El Museo del Barrio, New York, USA.
CITY OF WOMEN 10th International Festival of Contemporary Arts, Gallery Skuc, Ljubljana, Slovenia. http://www.cityofwomen-a.si/
ICOLS, in Collectivity and critical collective/cooperative cultural action, Oliver Gallery, University of South Florida, Tampa FL USA.
ICOLS in Connect the Dots, The LeRoy Neiman Gallery, Columbia University, New York, USA.
ICOLS Strategy Defense and Arms Fair, ferry between Helsinki, Stockholm, Mariehamn, Tallin, ISEA 2004.
Media Forum of the XXVI Moscow International Film Festival, ClubnaBrestskoj, Moscow, Russia.
PLANET B Das B-Movie in der zeitgenšssichen Kunst, Magazin4 Vorarlberger Kunstverein, KŸnstlerhaus Palais Thurn & Taxis, Bregenz, Austria. http://www.magazin4.at/ausstellung_sommer04.htm
Operation Swanlake, FILE 2004- festival internacional de linguagem eletr™nica, Sesi Gallery, S‹o Paulo, Brazil. http://www.file.org.br
Contact Zones, New World Gallery @ Radio Free Hamptons, Sag Harbor, New York, USA.
Digital Salon, The ART Mission, Binghamton, NY, USA.
Eurographics 2004, WTC, Grenoble, France.
Metis:Time/Beam me up, ANU School of Art Gallery, Canberra, Australia.
Unframed, Standpoint Gallery, London.
Fly Utopia!, transmediale.04, Haus der Kulturen der Welt, Berlin, Germany.

2003
Don't Call it Performance, Centro de Arte Reina Sof’a, Madrid;Centro Parraga, Murcia, Spain
New York Calling, P.S.1 Australian Studio project, Long Island City, NY USA
Paradies (Paradise) MAIS V, Bunker under Alexanderplatz, Berlin, Germany
ICOLS AUDIO juniradio Berlin104.1 08.-30. juni http://www.juniradio.net
FILE 2003- festival internacional de linguagem eletr™nica, Museum of Image and Sound (MIS) S‹o Paulo, Brazil. http://www.file.org.br
wywh wish you were here, First Draft Gallery, Sydney, Australia
ICOLS How to be a perfect guest, Sharjah International Biennial 6, Sharjah Art Museums and Expo Centre Sharjah, United Arab Emirates.
ICOLS Glasgow Event, Wasps Studios, Glasgow, Scotland.
ICOLS, The Esplanade, Theatres on the Bay, Singapore.

2002
Gaze Travelling artroom, gallery suryun, Cologne, Germany
Connecting Principle, Newcastle University UK http://www.ncl.ac.uk/connectingprinciple
ICOLS launch event, Museum of Contemporary Art, Sydney, Australiia.
(The World May Be) Fantastic, Biennale of Sydney, MCA Sydney, Australia. www.biennaleofsydney.com.au
Underwood Audio 2 (The Communist Manifesto, by Rosalind Brodsky and the Satellites of Lvov) & cd launch event Underwood St, London.
net.art exhibition, Irish Museum of Modern Art, Ireland
http://www.irishmuseumofmodernart.com/netart_open.htm
ICOLS in Art meets Archive, Sydney State Records Centre, Sydney, Australia.

2001
LE NUMERIQUE : nouveau médium de l'art- From 01.10.01 to 01.11.01, Galerie de Pret d'oevres d'Art, Bruxelles, Belgium.
Penthouse and Pavement, Melbourne.
Model Citizen/No More Ice Cream (An ICOLS project with Bronia Iwanczak) Artspace, Sydney, http://www.artspace.org.au/ & images at: http://www.icols.org/pages/TreisterIwanczak/Creche.html
Disaster Tourism, Rubyayre, Sydney.
New Releases (video), 4a Gallery, Sydney and tour.

2000
Electronic Art Festival, Cyberslag Foundation, Groningen, Netherlands. http://www.cyberslag.com
Gene spill, Imperial Slacks Gallery Sydney. http://ensemble.va.com.au/genespill
Spooky-Ghosts, Spirits and the Uncanny, Glen Eira City Gallery, Melbourne.
Chemistry, Art Gallery of South Australia, Adelaide.
PUSAN International Contemporary Art Festival, Metropolitan Museum of Art, Pusan,
South Korea.
Moving Image Festival, Youthworks shop window installation SALA 2000, Adelaide.
New Thinking is Rare, South Australian Touring Exhibition Program.
F I L E Festival internacional de linguagem eletrönica, Museum of Image and Sound (MIS) São Paulo, Brazil.
(Second place/offline) http://www.file.org.br
World Wide Video Festival, Amsterdam, Netherlands. http://www.wwvf.nl
The Noorderzon Festival, Groningen, Netherlands. http://www.xs4all.nl/~paleis/noorderzon/index.html
Sonar Festival/CD ROM a la carta, Carrer de les Flors 22, Barcelona.
Chip, Melbourne International Film Festival.
Manifest/o, Zagreb, Croatia.
Festival of Independent Press, Museo de la Memoria, Tlaxcala, Mexico. http://www.prodigyweb.net.mx/fcr/index.html
LIVE-STOCK ram/fm, 72 hour audio event, ARC, Stockton on Tees, UK. http://www.live-stock.org
Urban Futures 2000, International Conference and Electronic Art Exhibition, Johannesburg University Art Gallery. http://sunsite.wits.ac.za/urbanfutures or http://www.wits.ac.za/urbanfutures/uf/index.htm

1999
Love and Consciousness, Artopiques Gallery, Paris, France.
Confined, HERE Gallery, New York, USA. (Presumed Innocent collaboration)
Sex and Consciousness, Artopiques Gallery, Paris, France.
WRO 99 - 7th International Media Art Biennale - Wroclaw, Poland.
21, Spacex, Exeter, UK.
National Digital Art Awards exhibition, Institute of Modern Art, Brisbane.
Women in Film and Television Festival (WIFT) Festival, Sydney.
Fusion, St Kilda Film Festival, Melbourne.
2nd International show of CD ROMs, Media Centre d'Art i Disseny, Barcelona. http://www.mecad.org
Contact Zones, Johnson Museum of Art, Cornell University, USA and travelling to Centro de la Imagen,Mexico City, Virginia film festival and touring US and Canada 2000-2001. http://contactzones.cit.cornell.edu/
Fast + Wide, Broadway Media Centre, Nottingham, U.K.

1998
Third International Video Summit Videomedeja, Kulturni Centar-Art Klub, Novog Sada, Yugoslavia.
ArtRage, ABC TV, Australia.
Interact (video screening)The Exhibition Centre, Melbourne.
Kino-Eye: Cybercities, Royal Palace, Antwerp, Belgium.
Xobject space, Dusseldorf, Germany.
corpoREAL, Tullie House, Carlisle, U.K.
Videonale 8, Bonn Kunstverein, Germany
Isea 98, The Tea Factory, Liverpool, U.K
Pandaemonium Festival, Lux Centre/Standpoint Gallery, London.
European Media Art Festival, Osnabrück, Germany. http://www.emaf.de
National Digital Art Awards exhibition, I.M.A. Brisbane.
Prix Ars Electronica 98, Linz, Austria. http://www.aec.at
Underbelly, Cosmopolitan Cinema Complex, Adelaide.
Throw Down a Shape, Supermild, sound event, Adelaide, Australia 4 November, 1998
The Plato Problem, University of S.A. Art Museum window (with Richard Grayson).

1997
Technoscience, Hybrid Workspace, Documenta X, Kassel, Germany.
Wardrobe, Madlove Gallery, Adelaide and tour ('98).
Heteronymous (curated by, Achille Bonito Oliva and Anna Maria Nassisi) San Michele a Ripa, Rome, Italy.
Pass Go and other board games, The City Gallery, Leicester, U.K.
Time Travelling with Rosalind Brodsky, Internet project for Electronic Writing Research Ensemble @ http://www.ensemble.va.com.au/tableau/suzy/
On a Clear Day, European Media Art Festival, Osnabrück, Germany. http://www.emaf.de
Thin Skin, The Performance Space, Sydney.
Imprint 93 and related ephemera, Norwich Gallery, Norwich, U.K.
Time Travelling with Rosalind Brodsky, Canberra Festival of Contemporary Arts.

1996
Artists' Week : Compost Telstra Adelaide Festival '96.
Foyer, Temporary space, Adelaide.
White Hysteria, Contemporary Art Centre of South Australia; Stripp, Melbourne.
White Hysteria(waiting room), Cleveland project space, London;The Physics Room, Christchurch, New Zealand.
ICA/Toshiba Art and Innovation Commission, shortlist exhibition, ICA, London.
On a Clear Day (CD ROM ,Website and publication project, curated by John Paul Bichard) ICA, London; Cambridge Darkroom; John Hansard Gallery, Southampton; First Site, Colchester; Focal Point, Southend; Oldham Art Gallery & Middlesborough Art Gallery. http://www.backspace.org/clearday/
Domestic Disturbances, Fifth Experimenta Media Arts Festival, National Gallery of Victoria, Melbourne, Noosa Regional Gallery and touring.

1995
It's a Pleasure, Royal Festival Hall, London.
U.K. Wit and Excess, C.A.C. South Australia, A.C.C.A. Melbourne, Ivan Docherty, Sydney, I.M.A. Brisbane.
Street Gallery, Mishima Ave shopping arcade festival, Sizuoka, Japan.
Frank Thing, Sym Choon Gallery, Adelaide.
Parallel Internet gallery and journal web project. http://www.va.com.au/parallel/x1/gallery
Weird Science, Australia Centre, Manila, Phillipines.
Technothelylogia, Monash University Gallery, Melbourne.
ROMulus and RAMbo-Body language in cyberspace, Canberra School of Art Gallery.
Pretext:Heteronyms, Rear Window, Clink St. Studios, London.
Contemporary Art Society market Royal Festival Hall, London.

1994
Flat, Union Gallery, University of Adelaide.
Whitechapel Open Whitechapel Art Gallery, London.
Presumed Innocent collaboration, Exeter Hotel, Adelaide.
Lead and Follow, Atlantis, London.

1993/5
New Voices - Jeunes Artistes Britanniques, Musee National d'Histoire et d'Art a Luxembourg; Centre d'Art Santa Monica Barcelona; Museo de Bellas Artes Bilbao; Centro Culturel Galileo Madrid; Sala de Veronicas, Murcia; Pescadera Viega Sala de Arte, Jerez; Kulturhistorisches Museum, Magdeborg, Germany.

1993
Hit and Run, A Presumed Innocent collaborative event, [RE] Gallery, Adelaide.
Moving into View - work from the Arts Council collection, Royal Festival Hall, London.
The return of the Cadavre Exquis, The Drawing Center, N.Y. U.S.A.
VITEA: A.I.P.#7, Fifth Sculpture Triennial, R.M.I.T. Faculty Gallery, Melbourne.
The Disaster Show, with Presumed Innocent, Union Gallery, Adelaide University.
Critical City project, domestic space, Adelaide.

1992-1997
New Voices, British Council touring exhibition. Venues:
Macedonia, Skopje, Museum Of Modern Art. 14/02/1997
Czech Republic, Prague, Czech Museum Of Fine Arts, The House Of The Black Madonna. 04/12/1996
Greece, Thessaloniki, Cultural Centre For The National Bank. 31/10/1996
Slovakia, Bratislava, Mirbachov Palace. 05/08/1996
Russia, Nizhnii Novgorod, Kremlin Museum. 29/05/1996
Russia, St Petersburg, The Russian Museum. 18/04/1996
Greece, Thessaloniki, Cultural Centre For The National Bank Of Greece. 11/03/1996
Greece, Athens, Art Halls Of The Cultural Centre Of The Municipality Of Athens. 19/02/1996
Romania, Bucharest, National Theatre Galleries. 11/01/1996
Germany, Magdeburg, Kulturhistorisches Museum. 12/10/1995
Spain, Jerez, Sala Pescaderia Vieja, Ayuntamiento De Jerez. 02/12/1994
Spain, Murcia, Veronicas, Sala De Exposiciones. 04/11/1994
Spain, Madrid, Centro Cultural Galileo. 05/07/1994
Spain, Bilbao, Museo De Bellas Artes De Bilbao. 03/05/1994
Spain, Barcelona, Centre De Art Santa Monica. 10/03/1994
Turkey, Izmir, Izfas Gallery. 29/11/1993
Turkey, Ankara, State Fine Arts Gallery. 18/10/1993
Turkey, Istanbul, Istanbul Greater City Municipality Taksim Art Gallery. 20/09/1993
Luxembourg, Musee D'art Et D'histoire. 05/03/1993
Belgium, Brussels, Eec Presidency Exhibition. 30/09/1992
Belgium, Brussels, La Borschette. 23/09/1992

1992
Whitechapel Open, Whitechapel Art Gallery, London.
Blast from the Past, Minories Art Gallery, Colchester.
Walls 1, Union Gallery, Adelaide University.
20th Century Women's Art, New Hall College, University of Cambridge.
Scene of the Crime? A Presumed Innocent collaborative installation, Post West, Adelaide.
Edward Totah Gallery, London.
Nothing is {Hidden}, - (collaborative installation with Pamela Golden, Andrew Renton and LindaLevinson),
Rear Window, Lambs Conduit St, London. http://www.rear-window.org.uk/nothing_is_hidden.html

1991
A Painting Exhibition in Two Parts, Todd Gallery, London.

1990
Decoy, Serpentine Gallery, London.
Global Art, Brent Gallery and Galleria, Houston, Texas.
London passim, Casa Veneta, Trieste.
Whitechapel Open, Whitechapel Art Gallery, London.

1989
XXI Festival International de la Peinture, Cagnes sur Mer , France.
Whitechapel Open, Whitechapel Art Gallery, London.
John Moores, Walker Art gallery, Liverpool (3rd prize).

1988
New Brits: Contemporary British and Scottish Painting, The Contemporary Arts Center, Cincinnati, Ohio, and tour of USA Museums.
Object and Image: British Art in the 1980's, City Museum and Art Gallery Stoke on Trent.
Figuring out the '80's, Laing Art Gallery, Newcastle upon Tyne.
Something solid, Cornerhouse Galley, Manchester.
Whitechapel Open, Whitechapel Art Gallery, London
4 London Artists, Nancy Hoffman Gallery, New York.
It's a still-life, Arts Council Collection, South Bank Centre, London and Tour.

1987
Edward Totah Gallery, London, England
Edward Bates Gallery, Chicago, USA
On a Plate, Serpentine Gallery, London, England

1986
The Golden Thread? Classical Mythology in Contemporary Art, Harris Museum and Art Gallery, Preston, Milton Keynes Exhibition Gallery, Royal Albert Memorial Museum, Exeter, Bradford Art galleries and Museums, Bradford. 1986-87.
Love, Sacred and Profane, Plymouth Arts Centre and Stoke Museum.
Interference, Riverside Studios, London.
Camden Annual, Camden Arts Centre, London.
4 British Artists, Edward Bates Gallery, Chicago, USA.

1985
Nature Morte, Edward Totah Gallery, London.
Open Exhibition, Riverside Studios, London.

1984
Whitechapel Open, Whitechapel Art Gallery, London.
Galerie Davidson, Berlin. (2 person show)
Warwick Arts Trust, London.

1982-83
Images for Today, Touring exhibition sponsored by Sainsburys

1981
Stowells Trophy, Royal Academy, London.

________________________________________________________________________________________________________________

AWARDS/GRANTS/RESIDENCIES

2024 Art Explora Paris Residency, France
2024 Premio APERTURA Comunidad de Madrid
2022 La Becque Residency, Switzerland
2018 COLLIDE International Award, CERN Geneva/FACT UK
2010 Residency, Center for Contemporary Art Znaki Czasu (CoCA), Torun, Poland
2010 Arts Council England (Grant for Hexen 2.0)
2006 Arts Council England (Grant for Hexen 2039 curated by Tania Nasielski)
1999 National Digital Art Prize, Australia, 3rd prize
1998 Australia Council, New Media Fund
1998 Australian Film Commission, multimedia completion funding.
1997 Australia Council, New York studio residency (for 98/9).
1996 South Australian Department of Arts and Cultural Development. New Work grant.
1995 Australia Council, professional development grant
1994 British Council, travel grant. Tokyo
1994 South Australian Department of Arts and Cultural Development. New Work grant
1992 British Council, travel grant, Australia
1989 John Moores, Liverpool, 3rd prize

________________________________________________________________________________________________________________

COLLABORATIVE ORGANISATIONS

2020 Founded Museum of Black Hole Spacetime Collective

2000 Founded The International Corporation of Lost Structures (ICOLS) http://www.icols.org

1992 Founded PI (Presumed Innocent) Adelaide/NY based

1991 Founder member of NIH (Nothing is {Hidden} ) London/NY based

________________________________________________________________________________________________________________

PUBLIC COLLECTIONS

Arts Council of England
Art Gallery of South Australia
Australian Centre for the Moving Image
AXA Collection
British Council
Carré d'Art Jean Bousquet/Musée d'art contemporain, Nimes, France
Center for Contemporary Art Znaki Czasu (CoCA), Torun, Poland
EMI Paris
FRAC Lorraine, Metz, France
Griffith University, Queensland
Kadist collection, Paris, France
Leeds City Council UK
Leicester County Council UK 
Los Angeles County Museum of Art
Muzeum Sztuki, Lodz, Poland
New Hall Cambridge UK
Centre Pompidou, Musée National d'Art Moderne, France
Science Museum London
Tate Britain
The Box, Plymouth, UK
Thyssen-Bornemisza Art Contemporary, Vienna
Wolverhampton Art Gallery UK
CA2M Collection, Madrid, Spain

International Libraries (cd rom collections):
Tate Britain, London
British Museum, London
UCLA, Santa Rosa Junior College, California, USA
University of Auckland
University of East London
Sydney College of the Arts
Rhodes University, South Africa
The Rose Golden Archive of New Media Art, The Division of Rare and Manuscript Collections, Carl A. Kroch Library Cornell University, Ithaca, NY, USA
L'Espace Multimédia Gantner, France
Fundacio Antoni Tapies Biblioteca, Barcelona

________________________________________________________________________________________________________________

BIBLIOGRAPHY: MONOGRAPHS

Treisterienne, l'ovni cyberpunk. Diagrammes d'inconnus, Master of Arts Thesis by Tiphaine Scott de Martinville, TALM-Le Mans School of Fine Art (France), October 2023 pdf

Suzanne Treister, From SURVIVOR (F) to The Escapist BHST (Black Hole Spacetime), Serpentine Galleries and Koenig Books, London 2019

Suzanne Treister, Les vaisseaux de Bordeaux, Silvana Editoriale, Milan, Italy 2017

Suzanne Treister, HFT The Gardener, catalogue, Annely Juda Fine Art, London 2016

Suzanne Treister, HFT The Gardener, with Foreword by Erik Davis, Black Dog Publishing, London 2016

Suzanne Treister, In The Name Of Art and other recent works, Newspaper catalogue, with essay by Richard Grayson, published by Annely Juda Fine Art, London, England 2013

Suzanne Treister, HEXEN 2.0, with essay by Lars Bang Larsen, Black Dog Publishing, London 2012

Suzanne Treister, HEXEN 2.0 Tarot, Black Dog Publishing, Londo, 2012

Suzanne Treister, 3 Projects - catalogue with essay by Richard Grayson published by Annely Juda Fine Art, London, England 2008

Suzanne Treister, NATO The Military Codification System for the Ordering of Everything in the World, with essay by Marek Kohn. Black Dog Publishing Ltd, London 2008

Suzanne Treister, HEXEN 2039 new military-occult technologies for psychological warfare, with essay 'Waiting for the Gift of Sound and Vision' by Richard Grayson, Black Dog Publishing, London 2006

Suzanne Treister, Operation Swanlake, poster/cat, Annely Juda Fine Art, London, England 2004

Suzanne Treister, No Other Symptoms - Time Travelling with Rosalind Brodsky, CD ROM with 124 page colour hardback book. Published by Black Dog Publishing Ltd, London ISBN: 19013366X, 1999

Suzanne Treister, I.M.A.T.I. From the Rosalind Brodsky Archives Greenaway Gallery cat. Sept 2000

Suzanne Treister, Vibrators from the House of Brodsky, Piece of Paper Press No. 013, ed. Tony White, England 1997

Suzanne Treister, Dying for your sins, catalogue with essay by Richard Grayson, Institute of Modern Art, Brisbane, Australia 1996

Suzanne Treister, Kitsch'n Shrink, catalogue with essay by Chris Chapman, Greenaway Gallery, Adelaide, Australia 1996

Suzanne Treister, Q.Would you recognise a Virtual Paradise?, catalogue essay by Richard Grayson, Mizuma Art Gallery, Tokyo, 1995

Suzanne Treister, Q.Would you recognise a virtual paradise?, catalogue essays by Richard Grayson and Catherine Lumby, Contemporary Art Centre of South Australia (CACSA), Adelaide and Australian Centre for Contemporary Art (ACCA), Melbourne, Australia 1994

Suzanne Treister, Catalogue with essays by Robert Collins and James Josephs, pub. Edward Totah Gallery, London and Ikon Gallery, Birmingham England 1990

Suzanne Treister, catalogue, Edward Totah Gallery, London, UK 1988

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BIBLIOGRAPHY : REVIEWS AND GROUP CATALOGUES, BOOKS & PUBLICATIONS

Electric Dreams, Tate Modern Exhibition Catalogue, Edited by Valentina Ravaglia. Published by Tate, November 2024

Dreaming at CERN, Dialogue with Patricia Domínguez, Burlington Contemporary, UK, 12 September 2024

Occult: Decoding the Visual Culture of Mysticism, Magic and Divination By Peter Forshaw. Published by Thames & Hudson, June 2024

Cosmos Cinema: 14th Shanghai Biennale exhibition catalogue. Co-published by Sternberg Press and Power Station of Art. English and Chinese editions. April 2024

WORLDBUILDING: Gaming and Art in the Digital Age, Catalogue, JSC Düsseldorf, Germany Published by Hatje Cantz Verlag, March 2024

Artist's Favorites, column for SPIKE Issue #77 print edition Autumn 2023 view PDF

The Whole Technoshamanism Catalogue – Curatorial Project by Alexander Burenkov for Umbigo Magazine #86, Lisbon, Portugal 2023

Piermario de Angelis, FLOATING IN THE UNIVERSE: SUZANNE TREISTER AND THE ARTS AT CERN PROJECT, Made In Mind Magazine, MIlan, Italy. May 2023

Essay by Chloe Julius on ...No Other Symptoms - Time Travelling with Rosalind Brodsky in Comedy in Crises: Weaponising Humour in Contemporary Art, published by Palgrave Macmillan, April 2023 read more

Adelaide Art Scene 1939-2000, edited by Margot Osborne, published by Wakefield Press, Adelaide South Australia February 2023

Suzanne Treister, a lecture by Boris Ondreička in conjunction with the exhibition The Otolith Group: Xenogenesis at the Irish Museum of Modern Art, Dublin (IMMA) as part of a programme of DXG events curated by Anjalika Sagar and Kodwo Eshun of the Otolith Group, Saturday 28 and Sunday 29 January 2023 pdf

Interview with Lars Bang Larsen, Frieze, Issue 231 Nov/Dec 2022

Time Traveling with Suzanne Treister, interview with Selby Nimrod, BLUE online journal, October 2022

Dessin dans l'art contemporain - 80 artistes, By Barbara Soyer, published by Pyramyd éditions, France Oct 2022

Conflict in My Outlook, University of Queensland Art Museum publication edited by Anna Briers, Holly Arden and Nicholas Carah, Perimeter Editions, Melbourne May 2022

Vertical Atlas, Editors Leonardo Dellanoce, Amal Khalaf, Klaas Kuitenbrouwer, Nanjala Nyabola, Renée Roukens, Arthur Steiner, Mi You, ArtEZ Press Oct 2022

R.A.W. or the sirens of Titan, Exhibition publication with texts by N.N., Roland Scotti and Kurt Vonnegut; Steidl Verlag, Göttingen; Ger./Eng./Fr. 2022

The Kabbalistic Tree, by J. H. Chajes. Published by Penn State University Press, Pennsylvania, USA Nov 2022

Radical Friends: Decentralised Autonomous Organisations & the Arts, Edited by Penny Rafferty and Ruth Catlow Published by Torque Editions, UK 2022

Mille écologies - Échafauder les habitats, les relations, les résistances, Anna Barseghian, Stefan Kristensen METIS Presses, France 2022

Icone Vegetali - Arte e botanica nel secolo XXI, Exhibition catalogue published by Edizions Sottoscala, Switzerland 2022

Technoshamanism HMKV exhibition Magazine. Eedited by Inke Arns. Essays by Inke Arns, Erik Davis, and Verena Kuni. Published by Kettler, Dortmund, Germany 2021

KANONThe ISKRA DELTA catalogue, Editors: Tjaša Pogačar, Nevenka Šivavec. Published by Ljubljana Biennial of Graphic Arts, Ljubliana, Slovenia 2021

BIG BANG De verbeelding van het universum/Imagining the Universe, Barbara Baert, Abdelkader Benali, Thomas Hertog, Jan Van der Stock e.a. Hannibal Books, Veurne, Belgium October 2021

Ha Ha Ha, l’humour de l'art, Catalogue, Kanal — Centre Pompidou, Brussels. Published by Editions Skira Paris, France 2021

Questionnaire. Arts at CERN: Where Art Meets Science, Eleonora Milani in conversation with Mónica Bello, Flash Art #336 FALL 2021

Parapolitics: Cultural Freedom and the Cold War, Catalogue, Haus der Kulturen der Welt, Berlin, Germany, Published by Sternberg Press, 2021

The Extreme Self, Shumon Basar, Douglas Coupland and Hans Ulrich Obrist Published by Walter und Franz Koenig, 2021 ISBN: 3960989733

Computer Grrrls, HMKV catalogue Published by Verlag Kettler, Dortmund, Germany May 2021

Sting in the Tail: Art, Hoax, and Provocation, Antoinette LaFarge, DoppelHouse Press, LA, USA 2021

SIAF2020 Index, Published by Sapporo International Art Festival, Japan 2021

Fórum do Futuro: Vita Nova, Editors: Shumon Basar, Guilherme Blanc, Filipa Ramos & Jenna Sutela Published by Fórum do Futuro, Portugal in partnership with @bomdiabooks, Berlin 2021

BIG D@T@! BIG MON€Y! Catalogue, Texts by Michael Arzt. Published by Halle 14, Leipzig, Germany 2021 ISBN: 978-3-9821212-1-5

Disturbance:Witch, Catalogue. Ed. Ralf F. Hartmann, Alba D'Urbano and Olga Vostretsova. Published by Zentrum für Aktuelle Kunst, Zitadelle Spandau, Germany 2020

Atlas of Anomalous AI, Edited by Ben Vickers & K Allado-McDowell Published by Ignota, London Nov 2020 ISBN-13 : 978-1999675950

WE NEVER SLEEP, Schirn Kunsthalle exhibition catalogue, edited by Cristina Ricupero, Alexandra Midal and Katharina Dohm. Published by Snoeck, Belgium September 2020 ISBN 978-3-86442-318-5

Thyssen-Bornemisza Art Contemporary The Commissions Book, Edited by Daniela Zyman and Eva Ebersberger, Published by Sternberg Press, Berlin, Germany 2020

The Library of Esoterica - TAROT, Edited and written by Jessica Hundley, Published by Taschen, Cologne, Germany 2020

Zahl, Rythmus, Wandlung - Emma Kunz und Gegenswartskunst, Catalogue, Kunsthalle Ziegelhütte Appenzell, Edited by Régine Bonnefoit and Sara Petrucci, Published by Steidl Gerhard Verlag, Göttingen Germany, April 2020

Not Without My Ghosts, Hayward Touring catalogue with essays by Susan L. Aberth, Simon Grant and Lars Bang Larsen, Published by Hayward Gallery, London, March 2020

HFT The Gardener works in: Arts of the Working Class, No. 11, 'Faux Culture', Berlin Germany May 2020

Drone Art: The Everywhere War as Medium, by Thomas Stubblefield Published by University of California Press, USA March 2020

Documents of Contemporary Art: Science Fiction, Edited by Dan Byrne-Smith, Published by Whitechapel Gallery, London and MIT Press, USA Feb 2020

Interview with Nadine Botha, DAMN° MAGAZINE, issue 75, February 2020 read...

Suzanne Treister on black-hole space-time and post-surveillance art, Artforum interview with Marisa Olson, October 15, 2019 read interview read on Artforum

Mud Muses: A Rant about Technology. A Moderna Museet Catalogue, edited by Lars Bang Larsen. Published by Buchhandlung Walther Konig, Cologne, Germany 2019

Mop Projects: 2003-2016, George & Ron Adams. Published by Formist, Australia 2019

Lars Bang Larsen, PORTRAIT. SUZANNE TREISTER Casts A Circle, SPIKE Art Magazine #58 Winter 2019 view

Interview, Fukt #17 The Words Issue - Written Drawings, Berlin October 2018

Divided We Stand, 9th Busan Biennale 2018 catalogue. Jörg Heiser, Cristina Ricupero, Gahee Park (Eds.) Sternberg Press, Berlin/NY 2019

Quantum In search of the invisible. Exhibition catalogue published by CCCB Barcelona and Direcció de Comunicació de la Diputació de Barcelona, May 2019

Interview with Joël Vacheron, IDP4041 magazine, Switzerland, November 2018 read interview

Liquid Crystal Display. Exhibition catalogue with essay by Esther Leslie, published by Site Gallery, Sheffield, England 2018

Altered States. Substances in Contemporary Art, Kunstpalais & Städtische Sammlung Erlangen catalogue, published by Hatje Cantz Verlag, Berlin, Germany 2018

Magic Circle. Published by Kunstraum Niederösterreich, Vienna 2018

Black light: Secret traditions in art since the 1950s. Essays by Enrique Juncosa, Erik Davis, Cristina Ricupero..Published by: CCCB and Institut d’Edicions de la Diputació de Barcelona 2018

Fig-2 50 projects 50 weeks, Black Dog Publishing, London, England 2018

The Fevered Specters of Art. Published by Edith Russ Haus, Oldenburg, Germany. 2018

The Museum of Rhythm. Published by Muzeum Sztuki, Lodz, Poland and Sternberg Press, NY/Berlin. 2018

The World Without Us. Narratives on the Age of Non-Human Agents/Die Welt Ohne Uns. Erzählungen über das Zeitalter nicht-menschlicher Akteure
Edited by Inke Arns, with contributions by Inke Arns and Nora N. Khan. Published by Revolver Publishing by VVV, 2017

Jardin infini : Une anthologie. Sous la direction d'Emanuele Quinz, Emma Lavigne & Hélène Meisel. Published by Centre Pompidou-Metz 2017

Evidentiary Realism, Exhibition catalogue, essay by Giulia Bini, edited by Paolo Cirio, pub. NOME Berlin, Germany. 2017

Tim Dixon, Art & Accelerationism, Art Monthly Issue 403, February 2017

Garrett Lynch, HFT The Gardener: A Network of Financial Trading, Drugs and Botany, furtherfield, January 5 2017

As Above, So Below. Exhibition catalogue. Published by IMMA Dublin 2017

Astral Bodies. Published by Künstlerhaus Bethanien, Berlin, Germany, April 2017

Peter Suchin, Suzanne Treister: HFT The Gardener, Art Monthly Issue 401, November 2016

Digby Warde-Aldam, Suzanne Treister at Annely Juda, THE WEEK, 15 October 2016

Jonathan Jones, Five of the best... art exhibitions, The Guardian, Friday 23 September 2016

Constant Dullaart, Suzanne Treister, Spike Art Quarterly, Issue 49 Net Art and After, Autumn 2016

Noémie Jennifer, The Mystical Works of an Outsider Artist Who Doesn’t Actually Exist, The Creators Project, New York, Feb 27 2016

Paul Laster, 12 Things to Do in New York’s Art World Before February 12, New York Observer, 8 February 2016

Galleries Chelsea - Suzanne Treister, The New Yorker, February 2016

The Two-Sided Lake: Scenarios, Storyboards and Sets from Liverpool Biennial 2016. Published by Liverpool University Press, England 2016

Social Medium: Artists Writing, 2000–2015. Edited by Jennifer Liese. Published by Paper Monument, Brooklyn, NY, USA. 2016

The Nuclear Culture Source Book. Edited by Ele Carpenter. Published by Black Dog Publishing in partnership with Bildmuseet, Sweden and Arts Catalyst, London. September 2016

SYSTEMICS: Index of Exhibitions and Related Materials, 2013–14 or Exhibition as a Series. Ed. Joasia Krysa. Texts by Boris Groys, Joasia Krysa, Lars Bang Larsen. Sternberg Press, Berlin, Kunsthal Aarhus, Denmark

WEtransFORM. Exhibition catalogue, Neues Museum - Staatlisches Museum für Kunst und Design, Nürnberg, Germany, 2016

Rare Earth. Exhbition catalogue, Sternberg Press/Thyssen-Bornemisza Art Contemporary, Vienna 2016

BNLMTL 2014, L’avenir (looking forward). La Biennale de Montréal catalogue, 2014-15

10th Shanghai Biennale: Social Factory. Anselm Franke. Published by 10th Shanghai Biennale/Power Station of Art, 2014

A Politics of Drawing: Proposal for a Method of Transformation. Exhibition catalogue, Barbara Walters Gallery, Sarah Lawrence College, Bronxville, NY, USA, 2014

Black Mirror 0 - Territory. Edited by Judith Noble, Dominic Shepherd and Robert Ansell. Published by Fulgur Press, London, 2014

Rachel Garfield, Chapter in: 'The Routledge Handbook to Contemporary Jewish Cultures', edited by Nadia Valman and Laurence Roth. Pub. Routledge 2014

Digby Warde-Aldam, Post-Surveillance: Suzanne Treister's riposte to 'Post-Internet' art, Apollo, Sep 9, 2014

NETWORKS, edited by Lars Bang Larsen, Whitechapel Documents of Contemporary Art series, MIT Press, UK/USA, March 2014

Gabriel Coxhead, 'Suzanne Treister: In the Name of Art and Other Recent Works', Art Review, Jan & Feb 2014

Régine Debatty, 'KGB, CIA black sites and drone performance. This must be an exhibition by Suzanne Treister', we-make-money-not-art.com, January 10, 2014

Eddy Frankel, 'Suzanne Treister: In the Name of Art and Other Recent Works', TimeOut London, Nov 2013

Francesca Gavin, 'Divine Intervention', Dazed and Confused, November 2013

Trine Rytter Andersen, 'Robotgenereret orddiarré og algoritmisk civilisationskritik', Kunsten.Nu, Denmark, 18 Oct 2013

Jeppe Lentz Wildt, 'Systemics #2 - As we may think (or the next world library)', Arhus Stiftstidende, Denmark, 24 Sept 2013

Artist page in Seep, Pages 9 Magazine, pubished in collaboration with the Badischer Kunstverein, Karlsruhe, Germany 2013

Ceci Moss, 'Questioning the World as Image: The 55th Venice Biennale and "The Whole Earth"', Rhizome Jun 20th, 2013

Emily Hall, 'Suzanne Treister at P.P.O.W', Artforum, May 2013

The Whole Earth. Kalifornien und das Verschwinden des Außen / The Whole Earth: California and the Disappearance of the Outside, Edited by Diedrich Diederichsen and Anselm Franke. Published by Sternberg Press, Berlin. June 2013

Vitamin D2: New Perspectives in Drawing Phaidon Press, UK, May 2013

A World of Wild Doubt, Edited by Dorothee Böhm, Petra Lange-Berndt and Dietmar Rübel. Published by Sternberg Press, Berlin with Kunstverein Hamburg, April 2013

Ann McCoy, 'PAUL LAFFOLEY and SUZANNE TREISTER', The Brooklyn Rail, 5/03/2013

Will Heinrich, 'Suzanne Treister: Hexen 2.0 at P.P.O.W', The New York Observer, 29 January 2013

Ken Johnson, 'Suzanne Treister: Hexen 2.0', The New York Times, February 1, 2013

Interview with Roger Luckhurst, in 'The Machine & the Ghost: Technology & Spiritualism in 19th to 21st Century Art & Culture', Manchester University Press 2013

Zeitschrift für Medienwissenschaft 8, Medienästhetik P. 8. Gastredaktion: Erich Hörl, Mark B. N. Hansen. Verlag Diaphanes, Zürich. Jan 2013

Christoph Tannert, 'Am Späten Abend Der Welt', in Apokalypse I Utopie, exhibition catalogue essay, Galerie Pankow, Berlin, Germany 2012

Alan Dunn, 'Seeing in the dark' Alan Dunn on Suzanne Treister's 20 CIA BLACK SITES (interview), Stimulus Respond magazine, Omen, Summer 2012 http://www.stimulusrespond.com/

Yvonne Volkart and Anke Hoffmann, 'Subverting Disambiguities', Shedhalle, Zurich, Pub. Verlag für moderne Kunst, Nürnberg, Germany 2012

Jens Kassner, 'Digitaler Ritt auf dem Besen', SZENE LEIPZIG, Donnerstag 16 August 2012

Claire Gilly, 'La préhistoire digitale facon tarot divinatoire au HMKV de Dortmund', Le Monde, France, 5 Juillet 2012

Marie Lechner, 'Les arcanes de l'age digital', Libération 22, France, Mercredi 4 Juillet 2012

Sabine B. Vogel, 'Im Theater des Lebens - Wiener Secession', Die Presse, Vienna, Austria, Freitag, 29 Juni 2012

Andrew Pickering, 'CYBERNETIC MAGIC' Mute, 24 May 2012

Tuesday Gutierrez, 'Suzanne Treister's Hexen 2.0 at the Science Museum', Momardi - Visual Arts in London, 24 April 2012

Rachel Williams, 'Hexen 2.0 by Suzanne Treister', The London Word -The Word on the Street, April 22, 2012

Josephine Demuth, 'Suzanne Treister's Hexen 2.0 at the Science Museum, La Bouche Zine, March 22, 2012

Barbara Axt, 'Samba's Mad Science', Instituto Ciencia Hoje (Scientific Institute, Brazil), 21/03/2012

Mike Watson, 'The Museum Problem, Frutta, Rome, Italy', Frieze, 15/03/12

Regine Batty, 'HEXEN 2.0' We Make Money Not Art, March 13, 2012

Adam Smith, 'Science as mystical connections - only art dares!', Notes from the Underground, March 12, 2012

Drisk, 'Hexen 2.0 at The Science Museum', Obsessed With London, March 9, 2012

Tabish Khan, 'Hexen 2.0 @ Science Museum', The Londonist, March 8, 2012

Alex Mathers, 'Hexen 2.0 by artist Suzanne Treister at the Science Museum', Ape On The Moon - Contemporary Visual Arts, 8 March 2012

Pete Stean, 'Suzanne Treister's Hexen 2.0 @ Science Museum', The Londoneer, March 7, 2012

Paul Kilbey, 'Suzanne Treister's HEXEN 2.0', Onestoparts, 7th March 2012

Michael Thompson, 'HEXEN 2.0 at the Science Museum', suite 101.com Feb 21, 2012

'Hyperdrawing: Beyond the Lines of Contemporary Art', ed. Phil Sawdon and Russell Marshall, Pub. I. B. Tauris, UK. 2012

'It Is Almost That - A Collection of Image & Text Work by Women Artists & Writers', ed. Lisa Pearson, Pub. Siglio Press, LA, USA 2011

Aurore Bandini, 'The Big Society', art 21, no 31, été, France, pp. 62-65, 2011

Alice Motard, 'The Big Society', exhibition catalogue, pub. Galerie GP & N Vallois, Paris, France

'Secret Societies', Schirn Kunsthalle catalogue. Edited by Cristina Ricupero, Alexix Vaillant and Max Hollein. Snoeck Verlagsgesellschaft mbH, Cologne, 2011

'Rozowka and Transmission' - Artist in residence projects, published in 'Subiektywna Mapa Torunia', UTU, Torun, Poland 2011

Sabine Weier, 'Auf Zeitreiser zwischen Fakt und Fiktion', Schirnmag, 16 August 2011 http://www.schirn-magazin.de/kontext/auf-zeitreise-zwischen-fakt-und-fiktion/

Laura Cumming, 'Outrageous Fortune', The Observer, 31 July 2011

Lorenz Jager, 'Secret Societies, Schirn Kunsthalle', Frankfurter Allgemeine, 24 June 2011

Philippe Dagen, 'Nouvelles du Jour at Galerie JTM', Le Monde, 23-24/01/2011

Anthony Marcellini and Matthew David Rana. 'Rabbi Hackermann' comic strip in,"Everything Familiar Has Disappeared!," News of Common Possibility, San Francisco, Issue 3, July 2010

'Parallel Remix', exhibition catalogue, Leonard Hutton Galleries, New York, USA 2010

Mathias Jansson, 'Interview with Suzanne Treister', www.gamescenes.org, Aug 2010

Rachel Potts, 'Interview with Suzanne Treister', Garageland 10: The Future, Issue 10, Summer 2010

Charlotte Laubard, Francine Fort, Yann Chateigné Tytelman, Emilie Renard and others, 'Insiders', exhibition catalogue, CAPC, Musée d'Art Contemporain de Bordeaux, France. Pub. Les presses du réel, France, 2010.

Alex Gartenfeld, 'VVORK', FANTOM Photographic quarterly, issue 03 Spring 2010

Michael Duncan, 'LONDON, Suzanne Treister at Alma Enterprises', Art in America, April 2010

Skye Sherwin, 'Suzanne Treister, MTB at Alma Enterprises', TimeOut, Nov 26 - Dec 2, 2009

Katy Deepwell, 'NATO: The Military Codification System for the Ordering of Everything in the World', (book review) n.paradoxa, volume 24, KT Press 2009. ISSN 1461-0434

'Magic Show' catalogue, essays by Sally O'Reilly and Jonathan Allen. Pub. Hayward Touring, UK 2009

Patricia Ellis and Angela Rosenberg, 'Scorpio's Garden', catalogue, Verlag der Buchhandlung Walther Konig, Cologne 2009 ISBN 978-3-86560-726-3

Rahma Khazam, 'Planet of Signs, Le Plateau', Critic's Pick, Artforum, October 2009 http://artforum.com/picks/section=fr#Paris

Interview with Josie Demuth, La Bouche, Issue 3 http://www.labouchemag.com/issue-three.php 2009

Guillaume Désanges and Xavier Franceschi 'Érudition concrete 1- La Planete des signes - Le journal de l'exposition', Pub. Le Plateau/Frac Ile-de-France, 2009

Friedrich von Borries/Matthias Bottger/Florian Heilmeyer , TV Towers - 8,559 Meters Politics and Architecture, Pub. Jovis Verlag, Berlin and Liaoning Publishers, Shenyang, 2009

Daniel Belasco; with contributions by Arnold M. Eisen, Julie Lasky, Danya Ruttenberg, and Tamar Rubin, 'Reinventing Ritual: Contemporary Art and Design for Jewish Life', Yale University Press, 2009 ISBN: 9780300146820

Ken Johnson, 'Image Search at P.P.O.W', The New York Times, July 10, 2009

Marie Lechner, 'Wach sind nur die Geister, über Gespenster und ihre Medien' au HMKV, Dortmund, Libération, France 30/06/2009

Verena Kuni, Thibaut de Ruyter and Inke Arns, 'WACH SIND NUR DIE GEISTER', catalogue. Published by Revolver Publishing , Berlin. 2009

Lars Bang Larsen, Catalogue essay for 'The Secret of the Ninth Planet', Pub. CCA, San Francisco, USA. 2009

Annette Hoffmann, 'Weit verzweigte Narration 'Histoires a l'ere numerique' legt im Basler plug.in', Kunstmagazin> Magazine d'Art Regioartline, No. 5. 2009

Alexander Roob, 'In conversation with Suzanne Treister on her War Artists series', Melton Prior Institute, Dusseldorf, Germany . 20/02/2009 http://www.meltonpriorinstitut.org/pages/textarchive.php5?view=text&ID=32&language=English

Natasa Petrsin - Bachelez, 'Blame It on Gorbachev: The Sources of Inspiration and crucial Turning Points of Inke Arns', e-flux Journal # 1, 12/2008 http://www.e-flux.com/journal/view/28

Daniel Soar, 'NATO: The Military Codification System for the Ordering of Everything in the World', London Review of Books, 6 Nov 2008

Eve Sullivan, 'NATO: The Military Codification System for the Ordering of Everything in the World', Contemporary, Issue 97, 2008

Jorn Ebner, 'Suzanne Treister at Annely Juda London', Frankfurter Allgemeine, 4 Oct 2008

Albert Mobilio, 'NATO: The Military Codification System for the Ordering of Everything in the World', Bookforum, Sept/Oct/Nov 2008

Inke Arns, 'Radar: Inke Arns uber Suzanne Treister', ART das kunstmagazin, 15 Sept 2008 http://www.art-magazin.de/kunst/10402/radar

Nicolas Bourquin and Thibaud Tissot, 'HEXEN 2039' in: 'DATA FLOW' (a contemporary approach to diagrams), Pub. Die Gestalten Verlag (dgv),Berlin, Germany 2008

Leigh Anne Miller, Suzanne Treister and Kim Rugg at P.P.O.W Art in America, June/July 2008

'Drawings - Fit to Reprint' New York Sun, 16th April 2008

'ICOLS department of Future Projections' - artist page, Futures Magazine, 2007

Tony Ozuna, Connect the dots Ð In a blending of fact and fantasy, lessons for a troubled age (Hexen 2039 at Skolska 28) Prague Post Oct 1 2007 http://www.praguepost.com/articles/2007/09/26/connect-the-dots.php

Sebastian Preuss, 'Mythen, Monster und Modisten', Berliner Zeitung, 26.06.2007

Christoph Tannert, Valeria Schulte-Fischedick, Christian Schindler 'Gegen den Strich', catalogue publ. Künstlerhaus Bethanien, 2007

Tom Lubbock, '5 Best Exhibitions' Suzanne Treister, Hexen 2039 New Art Gallery Walsall,The Independent, 28th June 2007

Annely Juda - A Celebration, Annely Juda Fine Art, London, 2007

VESNA artist pages, The Balkans - special issue, Third Text, 85, Vol 21, Issue 2, March 2007

Suzanne Treister, chapter in: 'Videogames and Art', Ed. Andy Clarke, Grethe Mitchell, Publ. Intellect Books, UK and University of Chicago Press, 2007

Dan Smith, 'Unnatural Histories' Art Monthly, No 304, March 2007

Jonathan Griffin, 'Suzanne Treister Hexen 2039' Frieze, issue 105, March 2007

Sherman Sam, 'Suzanne Treister Hexen 2039' The Brooklyn Rail, February 2007 and online at http://www.brooklynrail.org/

Eve Sullivan 'Suzanne Treister: Hexen 2039', Contemporary, no 90, 2007

Gabriel Coxhead 'Digital Art- Infinite Editions' Ftmagazine/Financial Times, January 27/28 2007

Cameron Bain 'Scrying Stranger Aeons', Mute, 16 Jan 2007 http://www.metamute.org/en/Scrying-Stranger-Aeons

Raimundas Malasauskas, 'Looking back/ most significant solo shows of 2006 (Suzanne Treister Hexen 2039)', Frieze, Issue 104, January-February 2007

Louisa Buck 'Hexen 2039 - Warburg Screening' The Art Newspaper London Diary Volume XV, No. 175, December 2006

David Barrett 'Suzanne Treister, Chelsea Space' Art Monthly No 302 Dec-Jan 06-07 online at find articles

Helen Sumpter 'HEXEN 2039' TimeOut, November 15-22 2006

'Blur of the Otherworldly: Contemporary Art, Technology, and the Paranormal' Essays by Lynne Tillman, Marina Warner, Mark Alice Durant and Jane D. Marsching. Publ. Center for Art and Visual Culture, University of Maryland Baltimore County USA. Dist. DAP New York 2006

Artists page (NATO) Mister Motley, Magazine over Kunst, Amsterdam, nummer 9 - 'idealen!' 2006

Suzanne Treister, 'From Fictional Video Game Stills to Time Travelling with Rosalind Brodsky 1991-2005' Journal of Media Practice, Intellect Books, Vol 7 Number 1 2006

Modern Art: A Critical Introduction 2nd edition, Pam Meecham & Julie Sheldon, Publ. Routledge London 2005

Paco Barragan, Roselee Goldberg, Coco Fusco - No lo Llames Performance/Don't call it Performance Exhibition cat.Publ. Fundacion Salamanca Ciudad de Cultura & El Museo del Barrio, New York 2004

Bettina Knaup, Sabina Potocki with essay by Katy Deepwell, Mesto Zensk/City of Women catalogue, Ljubljana, Slovenia, 2004

Paul Brown - Operation Swanlake RealTime No 63 2004 www.realtimearts.net

PLANET B Die €sthetik des B-movies in der zeitgenšssischen Kunst. Catalogue, dist, www.revolver-books.de 2004

Artist pages n.paradoxa Volume 14 - Dreams of the Future, July 2004

Jean Wainwright - Operation Swanlake Art Monthly (UK) No 278 July - August 2004

Rebecca Geldard - Operation Swanlake TimeOut No. 1765 June 16-23 2004

Merryn Gates - Metis time:04 catalogue, publ. Canberra Contemporary Art Space, 2004

Kathy Rae Huffman 'Science by Artists', Publisher: Cornerhouse Publications, Nov 2004

Pam Skelton - Unframed: the Practices and Politics of Women Painting ed. Rosemary Betterton, Publ. IB Taurus, London, 2003

Michael Duncan - Self created worlds Art in America Oct 2002

Jeff Gibson - Biennale of Sydney Artforum Fall 2002

Alexie Glass - Fantastic Voyage Monument No. 47 April/May 2002

Andrew Frost - Sydney Biennale a-z definitive guide Metaphysics, Pataphysics, Astrophysics, Literature, History, Jazz etc Australian Style No 62 May 2002

Michael Smith - of fakes and UFOs, artists and aliens The Drum Media 21 May 2002

Samantha Selinger-Morris - In your dreams HQ May 2002

Bruce James - Why the Biennale is a bit of a miracle Sydney Morning Herald 17.5.2002

Rachel Withers - Sydney Biennale diary Artforum online http://www.artforum.com/diary/id=2853 May 2002

Fietta Jarque - El capital siempre determina a las biendes El Pais 16.2.2002

Michael Bodey - A conspiracy to open our minds Daily Telegraph 13.3.2002

Flash Art (Italy) A Sydney apre la Biennale: la finzione a di scena April/May 2002

Simon Rees - 2002 Biennale of Sydney Flash Art No 225 July/Sept 2002

Sharon Verghis - Stand by for Biennale's showcase of the strange Sydney Morning Herald 13.3.2002

Benjamin Genocchio - As good as a wink The Weekend Australian 25/26.5.2002

Jennifer Sexton - Odds favour unreal event The Australian 13.3.2002

Victoria Hynes - Really Fantastic - Intrigue, ingenuity and eccentricity Sydney Morning Herald 11.5.2002

Jennifer Sexton - Purely personal The Weekend Australian-Review 11/12.5.2002

Gene Autry - Aliens stole my biennale Art Monthly (Australia) no. 150 June 2002

Hannah Fink - Fabulous-Biennale of Sydney Art Monthly (Australia) no. 151 July 2002

Courtney Kidd - (The world may be) fantastic! State of the Arts www.stateart.com.au May-Aug 2002

Sotiris Kyriacou - Biennale of Sydney Contemporary June,July,Aug 2002

Various writers Critical Interventions-Biennale of Sydney 2002 Publ. Artspace Sydney 2002

Sasha Grishin - Biennale of Sydney Canberra Times 10.6.2002

Richard Grayson - Grasshopper Worlds 2002 Biennale of Sydney catalogue

Marek Kohn - Bizarre New World (artist essay) 2002 Biennale of Sydney catalogue

John McPhee - Art is the prize for raiders of the state archives Sydney Morning Herald 8.5.2002

Victoria Hynes - Critic's picks ICOLS [Art meets Archive] Sydney Morning Herald 7/6/2002

Alex Gawronsky - Model Citizen-Artspace Broadsheet Vol 31 no1 Autumn 2002

'Doing it digitally: Rosalind Brodsky and the art of the virtual female subject', chapter by Jyanni Steffensen in:
_Reload_Rethinking Women + Cyberculture, ed. Mary Flanagan and Austin Booth. MIT Press 2002

Chapter on Rosalind Brodsky in Digital Thinking: New Metaphors for Technoscienceand Technoculture by Jyanni
Steffensen. Durham, NC: Duke University Press, 2001

Mike Leggett - Time Travelling with Rosalind Brodsky Leonardo 34.1 (2001) 76
http://muse.jhu.edu/demo/leonardo/v034/34.1leggett.html

Verena Kuni - Passwort: Transit. eMigrantinnen im elektronischen Raum 2000
http://www.kunst.uni-mainz.de/~kuni/abs-exi.htm

Mike Leggett - The Speed of Light
http://www.msstate.edu/Fineart_Online/Backissues/Vol_14/faf_v14_n08/text/feature.html

Kelly Ford - Spooky: Ghost, Spirits And The Uncanny
http://melbourne.citysearch.com.au/E/E/MELBO/0006/66/43/

Annemarie Lopez - Gene Spill CitySearch
http://sydney.citysearch.com.au/E/E/SYDNE/0007/06/11/

Sarah Thomas/John Neylon - Chemistry catalogue Art Gallery of South Australia 2000

Katy Deepwell - n.paradoxa (UK)Vol 6, July 2000

Courtney Kidd - Critic's picks Sydney Morning Herald 18 Aug 2000

Daniel Palmer - No Other Symptoms Photofile 59, Aug 2000

Mike Leggett - Redefining hybridity: CD-ROM possibilities RealTime 38 Aug-Sept 2000
http://www.realtime.org.au/redefining-hybridity-cd-rom-possibilities/

De Decker Geert - Sztuka Fabryka - http://www.sztuka-fabryka.be/review/publi01.htm

Taru Elfving - No Other Symptoms Make (UK) No.87 March-May 2000

Michael Gibbs - Time Travel Art Monthly (UK) No 235 April 2000

Sally O'Reilly - London Arts Online feature, www.londonart.co.uk (Excerpts from CD ROM )

Linda Carroli - Odyssey Broadsheet Vol28 summer 2000
http://www.cacsa.org.au/publish/broadsheet/index_frames.html

Joni Taylor - 'Time travel is your only means of escape', RealTime 35 Feb 2000

Marek Kohn - 'No Other Symptoms', The Sunday Review, The Independent on Sunday (UK) 16/1/2000

Jyanni Steffensen - 'Brodsky Economics and the Jewish Science or How to Finance Time Travel from the Production of Virtual Vibrators', 'Exploring Cybersociety: Social, Political, Economic and Cultural Issues', ed. John Armitage and Joanne Roberts (Newcastle: University of Northumbria, 1999)

Linda Marie Walker - 'Rosalind Brodsky Cookery Show', Artlink Vol 19 no.4 Summer 1999

Jyanni Steffensen - 'PI in New York'. Broadsheet Vol 28 No2 Winter 1999
http://www.cacsa.org.au/publish/broadsheet/index_frames.html

Jenny Jones - 'Isea 98', Make (U.K.) No. 82 Dec 98-Feb 99

Jyanni Steffensen - 'Point, Click, Point, Click, Boing', Broadsheet Vol 27 No 4 Summer 1998
http://www.cacsa.org.au/publish/broadsheet/index_frames.html

Honor Harger - 'Shape-Shifting', A review of Throw Down a Shape at Supermild, Adelaide, Australia 4 November, 1998
http://radioqualia.va.com.au/ctl/texts/hh3.html

Innerscapes - 'An anthology of artist's writings', Ed: Maurizio Pellegrin, Publ: Trieste Contemporanea 1998 http://www.tscont.ts.it/pubblicazioni.htm

Emma McGlade - 'Isea 98' Bigmouth Liverpool

Artist pages ('Rosalind Brodsky' project) - Arkzin (Zagreb) No 4 (100/101) 12.'97./01.'98.

Georgy Downey - 'hot links', Broadsheet Vol 26 No 3 Spring 1997
http://www.cacsa.org.au/publish/broadsheet/index_frames.html

Dugal McCrow - 'On a Clear Day' liveart magazine (U.K.)Issue 14/15 May-July 1997

Jyanni Steffensen - 'Kitsch'n Shrink', Globe E internet journal
http://www.arts.monash.edu.au/visarts/globe/issue4/sttxt.html

Jyanni Steffensen - 'triple treats', RealTime 17 Feb-Mar 1997
http://sysx.apana.org.au/realtime

James Flint - Wired (U.K.) 3.01 Jan 1997

Tony White - 'On a Clear Day', Wired (U.K.) 3.02 Feb 1997

Achille Bonito Oliva + Claudio Di Biagio - Heteronymous, catalogue essays, 1997

'Heteronymous', TimeOut (Rome) May 1997

David Barrett - 'On a Clear Day', Frieze Issue 33 1997

Brian Lynch - 'Suzanne Treister, Art Gallery of South Australia', Db Issue 145 1997

David O'Halloran - Visual Arts Program Telstra Adelaide Festival 1996

Sarah Thomas - 'Raking through Compost', Broadsheet Vol 25 No2 Winter 1996
http://www.cacsa.org.au/publish/broadsheet/index_frames.html

John Paul Bichard (ed) On a Clear Day, comic book and CD ROM

Jill Bennett - 'Compost', Art+Text no.54 1996

Brett Buttfield - 'White Hysteria', Db (Adelaide) Issue #121 June/July 1996

John Neylon - 'White Hysteria', Adelaide Review July 1996

Stephanie Radok - 'White Hysteria', Artlink Vol 16 no.4 Summer 1996

Tania Guha - 'White Hysteria', TimeOut London, Aug 7-14 1996

Artist's page with Kazuko Shiraishi, Hanatsubaki magazine Tokyo,September 1996

Ian Howard - 'Faults, functions and fantasy', Brisbane Courier Mail Sept 5 1996

Interview with Mutual Reality http:/www.widemedia.com/mutual/ re. ICA/Toshiba comm.

Pauline van Mourik Broekman - 'On a Clear Day', Mute-digitalartcritique Autumn 1996 issue 6
http://www.metamute.com/mute_online

Louise Nunn - 'At home in Adelaide', Adelaide Advertiser Nov 19 1996

Catriona Murtagh - 'Dying for your sins', Mesh Issue 10. Spring 1996
http:/www.peg.apc.org/~experimenta

Shiralee Saul - Domestic Disturbances catalogue essay, National Gallery of Victoria Melbourne,1996

Linda Carroli - 'The Castle as Interzone', Broadsheet Vol 25 No4 Summer 1996/7
http://www.cacsa.org.au/publish/broadsheet/index_frames.html

Leah Kharibian - It's a Pleasure Royal Festival Hall catalogue and selected quotes,1995

Sue Hubbard - 'It's a Pleasure', TimeOut Feb 1-8 1995

Informer National The Face no.76 Jan 1995

Anne Brennan/June Mary Scott - Catalogue essays U.K. Wit and Excess, CAC Adelaide 1995

anon - 'Weird Science', The Manila Times 12.8.95

Zoe Soufoulis/Zara Stanhope - Technothelylogia, catalogue essays, Monash University 1995

Francis Hagan - Artist profile Art + Tech (U.K.) 2.01 edition 1995

Sarah Kent - 'Pretext:Heteronyms', TimeOut 22-29 Nov 1995

Stella Santacatterina - 'Art after Indifference Pretext:Heteronyms', cat. essay, Rear Window publications(U.K.) 1995

Adrian Searle - 'Works for a complex age', New Voices catalogue, British Council 1995

Mark Durden - 'Pretext:Heteronyms', Art Monthly (U.K.) no.192 Dec/Jan 1995/6

Jenny McFarlane - 'ROMulus and RAMbo', Photofile Nov 1995 no.46

Jyanni Steffensen - 'Parallel Gallery and Journal', Photofile, Nov 1995 no.46

Anna Clabburn - 'Technothelylogia', World Art 4/1995

Steve Wigg - 'Impolite questions', Broadsheet Vol 23 No 2 Winter 1994
http://www.cacsa.org.au/publish/broadsheet/index_frames.html

AnneRobertson - 'Flat', Agenda Issue 37, July 1994

Richard Grayson - Between the clues lies the evidence (Post West Gallery 1992) The Post West Book [Pub.+ Ed. Alan Cruickshank] Adelaide 1994

Stephanie Radok - 'Critical mass/city art/artists initiatives', Artlink Vol 14 No 2 1994

Julianne Pierce - 'Selecting the morph tool', Broadsheet Vol 23 No 2 Winter 1994
http://www.cacsa.org.au/publish/broadsheet/index_frames.html

Olga Spiegel - La Vanguardia 19 March 1994

Steve Wigg - 'Virtual history', Artlink Vol 14 No 3,Spring 1994

John McEwen - Whitechapel Open Daily Telegraph 15 May 1994

Corina Mersch - Luxemburger Land No 13/2 April 1993

Brett Buttfield - Db Magazine (Adelaide) #49, 18-31 August 1993

Ken Bolton - 'Artist run alternatives', Art + Australia Vol 31 No 2 1993

Jyanni Steffensen - 'Virtual(ly) real desire; Software', Broadsheet (Adelaide) Vol 22 & No 3, Spring 1993
http://www.cacsa.org.au/publish/broadsheet/index_frames.html
& in Salient: SA Visual Art 1992-95 Anthology, [Pub. + Ed. Alan Cruickshank] Adelaide Festival, 1996

Samuel Fessler - 'When canvas meets screen', Hampstead & Highgate Express 14/2/1992

John McEwen - Sunday Telegraph 16/2/1992

Adrian Searle - TimeOut 19-26 Feb 1992

Charles Hall - Arts Review March 1992

Andrew Renton - Flash Art May/June 1992 view

Catherine Lumby - Art + Text 43 September 1992

Catherine Lumby - Artlink Vol 12 No 3 Spring 1992

Tony Godfrey - 'A British Painting for the 90's', Art in America April 1991

Tom Lubbock - Independent on Sunday 1/4/1990

Sarah Kent - TimeOut April 18-25 1990

Mark Currah - City Limits May 3-10 1990

Nikkei Art June 1990

Andrea Schlieker - Decoy catalogue essay, Serpentine Gallery 1990

Sarah Kent - 'Decoy- Lie of the Land', TimeOut May 2-9 1990

Rose Jennings - 'Nature Studies', City Limits May 3-10 1990

William Feaver - 'Landscapes of the video age', Sunday Observer 13/5/1990

Andrew Graham - Dixon - 'Decoy at the Serpentine Gallery', The Independent 15/5/1990

Tim Hilton - 'Nebulous Landscapes', The Guardian 16/5/1990

Sue Hubbard - Bath contemporary art fair 20/20 May 1990

Susan Chadwick - The Houston Post 1/7/1990

Andrew Hoellering - 'Suzanne Treister', Spacex Exeter The Guardian 29/8/1990

Sotiris Kyriacou - Artscribe Sept/Oct 1990

Kazu Kaido - Ikebana Sogetsu Spring 1989

Carolyn Cohen - '40 under 40', Art & Design Vol 5, no. 3/4 1989

William Feaver - 'Character cats and shepherd's pie skies', The Observer 22/10/1989

Marina Vaizey - 'British art finds a new freedom', Sunday Times 29/10/1989

Sarah Kent - 'Back for Moores', 20/20 Nov 1989

Robin Dutt - The Independent 26/1/ 1988

Allen Robertson - TimeOut Feb 3-10 1988

Matthew Collings - City Limits 4-11 Feb 1988

Mary Rose Beaumont - Arts Review 12/2/1988

Tony Godfrey - The Burlington Magazine April 1988

David Lovely - 'Something Solid', Arts Review May 1988

Something solid, exhibition catalogue, Cornerhouse Gallery, Manchester, England 1988

Tony Godfrey - 'Classicism in painting today', Art & Design June 1988

Lynne Cooke - Art International Autumn 1988

Higgins and Cohen - New British Painting, Phaidon 1988

Peggy Cyphers - 'New York in review', Arts Magazine Oct 1988

Marjorie Allthorpe-Guyton The Golden Thread?, Catalogue essay, Harris Museum and Art Gallery, Preston, UK 1986

John Roberts - 'Interference', Artscribe sept/oct 1986

Greg Hilty and Kate Macfarlane - Interference, catalogue essays. publ. Riverside Studios, London 1986

INTERVIEWS

Dreaming at CERN, Dialogue with Patricia Domíngue, Burlington Contemporary, UK 12 September 2024

Interview with Lars Bang Larsen, Frieze, Issue 231 Nov/Dec 2022
see photos

Time Traveling with Suzanne Treister, interview with Selby Nimrod, BLUE online journal,
October 2022 read text version inline

Kabbalistic Futurism: Interview with Ángel Azamar for P–OST, Nijmegen, Netherlands
October 2022 read interview

Suzanne Treister, "The Cosmic Number" 2021. Interview with KANON for K21
read interview • read full article/interview • read full article/interview on KANON

Interview with Nadine Botha, DAMN° MAGAZINE, issue 75, February 2020 read...

Suzanne Treister on black-hole space-time and post-surveillance art
Artforum interview with Marisa Olson, October 15, 2019 read interview read on Artforum

The Escapist BHST (Black Hole Spacetime)
Interview with Ben Vickers, Chief Technology Officer, Serpentine Galleries, London 2019:
play video interview

Interview with Joël Vacheron for IDP4041 magazine, Switzerland, November 2018 read interview

Interview with Alice Finney, Fukt Magazine #17 The Words Issue - Written Drawings, Berlin October 2018

Interview with Morgan Quaintance. Studio Visit: Since the 1980s, visionary polymath and multidisciplinary artist Suzanne Treister has been exploring the outer reaches of social, scientific and aesthetic complexity. Resonance FM, 7 Feb 2018

Interview about the exhibition 'Works from SURVIVOR (F)' at Image Music Text (IMT) London with Maggie Roberts and Lucy Sames, November 2017

Interview with Federica Tattoli for Fruit of the Forest magazine on SURVIVOR (F) exhibition at IMT Gallery, London, October 2017 original interview

Interview with Beatriz García, Láudano Magazine, Spain. August2017 original interview

Interview with Suzanne Treister by Alex Bennett, novembre magazine, 18 December 2016

Interview, HFT The Gardener, with Liverpool Biennial, September 2016 / original interview

Fatos Üstek Interviews Suzanne Treister for fig-2, ICA, London on HEXEN 2.0. April 2015

Interview with Marie Lechner in conjunction with Welcome to the Future! the floppy cd-rom revolution (or the short life of born-digital art) March 19 - April 26, 2015 iMAL, Brussels. February 2015

Boris Ondreička interviews Suzanne Treister
Exhibition RARE EARTH: Thyssen-Bornemisza Art Contemporary / tba21.org / Augarten, Vienna, Austria, Feb 2015

Cybernetics and the post-surveillance age
Interview with Ashleigh Kane, Dazed and Confused, October 2014
• Read full interview • Read published version

Post-Surveillance: Suzanne Treister's riposte to 'Post-Internet' art
Interview with Digby Warde- Aldham for Apollo, August 2014
• Read full interview • Read published version

Interview with Omar Kholeif
Published in catalogue accompanying exhibition by Constant Dullaart at Carroll/Fletcher, London, England April 2014

Networks in Reverse: From the Interplanetary Internet via the ARPANET to the Last Pre-Internet Moment, Chapter in: Networks, Edited by Lars Bang Larsen, Whitechapel Documents of Contemporary Art, published by MIT Press 2014
Podcast of reading at Adelaide Festival 2014 with introduction by Lars Bang Larsen

Occult Cybernetics - Interview with Erik Davis
Expanding Mind radio show, San Francisco, USA
12 September 2013

Seeing in the dark - Interview with Alan Dunn
Alan Dunn on Suzanne Treister's 20 CIA BLACK SITES, Stimulus Respond magazine, Omen, Summer 2012 http://www.stimulusrespond.com/

The Axis of Hexis: An Interview with Suzanne Treister (HEXEN 2.0)
Interview with ATA Quarterly Journal, Summer 2012

Interview with Rachel Potts
Garageland magazine, 'Future' issue, London, May 2010

'Suzanne Treister, capturing the essence of gaming since the '80s'
Interview with Mathias Jansson - Part of a series on the pioneers of videogame art. www.gamescenes.org, Aug 2010

'Suzanne Treister in conversation with Kirstie Skinner and Kate Gray'
Collective Gallery, Edinburgh, Feb 2010 (podcast)

'What Happens in the Gaps: An Interview with Suzanne Treister by Roger Luckhurst'
2009. Published in 'The Machine & the Ghost: Technology & Spiritualism in 19th to 21st Century Art & Culture', Manchester University Press 2014

Interview with Josie Demuth
La Bouche, Issue 3, September 2009

'In conversation with Suzanne Treister on her War Artists series'
Alexander Roob, Melton Prior Institute, Dusseldorf, Germany . 20.02.2009

Interview with Rolf Clement on the exhibition '3 Projects' at Annely Juda Fine Art, London
Deutschlandfunk - Kultur heute, 10.11.2008

'15 Questions about Hexen 2039'
Interview with Angelique van Engelen , March 2007

'From Fictional Videogame Stills to Time Travelling with Rosalind Brodsky 1991 - 2005'
Essay by Suzanne Treister in:'Videogames and Art', Ed. Andy Clarke, Grethe Mitchell, Publ. Intellect Books, UK 2007

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LECTURING

1983-1996 Visiting lecturer at St Martins School of Art; Chelsea School of Art; Trent Polytechnic, Nottingham; Bath School of Art; Coventry Polytechnic; Royal College of Art, London; Goldsmith's College, London; Kingston Polytechnic, Central St Martins, London; Camberwell School of Art, London; Ruskin Oxford; Glasgow School of Art; Monash University, Melbourne; University of Leeds; Sydney College of the Arts, Australia; University of South Australia; Onkaparinga TAFE, South Australia.
1999-2000 Reading University; Wimbledon School of Art, London; University of Northumbria, Newcastle upon-Tyne; Goldsmith's College, London; University of Western Sydney-Nepean; Sydney College of the Arts.
2001 University of Newcastle upon Tyne, UK; University of Newcastle, Australia.
2002 UTS Sydney; University of Newcastle, Australia; University of Westminster, UK.
2003 Brighton University, UK; Wimbledon School of Art, London.
2004 Universitat der Künste, Fakultat Bildende Kunst, Institut für Kunst im Kontext, Berlin.
2007 University of Northumbria, Newcastle upon Tyne, UK.
2007 Berkeley University of California; Pomona College, Claremont, Los Angeles; New York University (NYU), USA.
2007 University of Gwent, Wales; University of Derby, UK.
2008 Wimbledon School of Art, London; University of Brighton, UK; University of Westminster, UK; Kunsthochschule für Medien Köln, Germany.
2011 Middlesex University, London
2013 Goldsmith's College, London; Central St Martins, London.
2014 Goldsmith's College MFA Curating; Lecture hosted by Média Médiums, École Nationale Supérieure d'Arts Paris-Cergy & Université de Paris VIII, La Gaîté lyrique, Paris
2017 Plymouth University Fine Art, UK
2018 Slade, London; Central Saint Martins, London
2019-ongoing Advisor, Rijksakademie, Amsterdam, Netherlands
2020 Goldsmith's College BA Fine Art and History of Art
2021 Chelsea School of Art BA Fine Art; Royal College of Art/Diagram Research Group, London

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WRITING - REVIEWS

Ambient (male) identity Broadsheet, vol 26, no.4. Summer 1997/98
Dean Whitehorn, Catalogue essay, Experimental Art Foundation,Adelaide 1997
UK Es & Whizz Broadsheet, vol 25, no.1. Autumn 1996
White Hysteria - interview with Bala Starr, Broadsheet, vol 25, no.2 Winter 1996
Patricia Piccinini & Alison Main Mesh- Experimenta media arts journal #8/9 Autumn/Winter 1996
Bad Girls, ICA London, Artlink Autumn 1994
Monstrous Gorgeous, Artlink Vol 14 no.4 Summer 1994/5
Mehmet Adil, Broadsheet Vol 23 no.4 Summer 1994
Bodiless Bodies of Work, Richard Grayson Performance Space, Sydney,catalogue essay 1995
Alex Rizkalla Broadsheet,vol 24 ,no.2 Winter 1995
Japophile/Hi Tack, Broadsheet Vol.22 No.2. June 1993/Salient 1996
Belshazzar, Richard Grayson Post West catalogue (Adelaide)1992
Forensic, Broadsheet Vol. 21. No.3 Sept 1992

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TV

PRESUMED INNOCENT-DISASTER Documentary by Heather Croall for "Carpet Burns" SBS Australia. Dec 1993

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CONFERENCES

2000 'Doing it digitally: Rosalind Brodsky and the art of the virtual female subject', Next 1.0: New Extensions of Existing Technologies, Karlstad University, Sweden. Paper presented by Jyanni Steffensen.

'Doing it digitally: Rosalind Brodsky and the art of the virtual female subject' Verve at Artist's week, Telstra Adelaide Festival 2000, Ngapartji CMC. Paper presented by Jyanni Steffensen.

1999 Brodsky, Economics and the Jewish Science or How to Finance Time Travel from the Production of Virtual Vibrators, Exploring Cybersociety, School of Social, Political and Economic Sciences, University of Northumbria, Newcastle, UK. Paper presented by Jyanni Steffensen.

Invading Ancestral Spaces through the Privileged Violence of Technology, futureScreen 99: AvAtArs | phantom agents dLux media arts at the Powerhouse Museum, Sydney. Paper presented by Jyanni Steffensen.

1994 Still Photography? International symposium on the transition from analog to digital imaging. University of Melbourne. Paper presented by myself.

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CURATING

2016 Monica Ross: A Critical Fine Art Practice, CHELSEA space, London, England (with Susan Hiller)

1997 Wardrobe, Madlove Gallery, Adelaide; The Performance Space, Sydney; I.M.A. Brisbane; P.I.C.A. Perth.

1996 White Hysteria, Contemporary Art Centre of South Australia; Stripp, Melbourne.
White Hysteria(waiting room) Cleveland project space, Lotta Hammer Gallery, London; The Physics Room, Christchurch, New Zealand

1994 Flat, Union Gallery ,University of Adelaide, Australia (with L.E.Young)

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Suzanne Treister is represented by Annely Juda Fine Art London and P.P.O.W New York

Suzanne Treister homepage