Suzanne
Treister
2014
Post-Surveillance Art
The term 'Post-Surveillance Art' was coined by Suzanne Treister on
9th January 2014. There is as yet no reference to this term or its meaning
on the internet.
A series
of poster works navigating the post-Snowden age
20 works. Archival giclée prints on Hahnemuhle Bamboo paper, 29.7 x 42 cm each
+
20 works. Digital prints on vinyl -to suspend from ceiling, 100 x 70 cm each e.g
|
|
|
|
|
POST-SURVEILLANCE
ART POSTER/TUNNEL OF LOVE |
POST-SURVEILLANCE
ART POSTER/NSA ON DRUGS |
POST-SURVEILLANCE
ART POSTER/NSA SEX BOMB |
POST-SURVEILLANCE
ART POSTER/NSA_MONOCHROME DREAMING |
POST-SURVEILLANCE
ART POSTER/SHAMAN SURVEILLANT |
|
|
|
|
|
POST-SURVEILLANCE
ART POSTER/POST CONTROL |
POST-SURVEILLANCE
ART POSTER/PSYCHICDATA ALGORITHM ENCHANTMENT |
POST-SURVEILLANCE
ART POSTER/PRIVACY SUCKS |
POST-SURVEILLANCE
ART POSTER/PSYCHIC GLOBAL DATA TRANSFER |
POST-SURVEILLANCE
ART POSTER/TRIBAL DREAM SHARING |
|
|
|
|
|
POST-SURVEILLANCE
ART POSTER/TELEPATHIC NETWORK PARTY (TNP) |
POST-SURVEILLANCE
ART POSTER/ONE WORLD DATA FUCKING LOVE |
POST-SURVEILLANCE
ART POSTER/THE DISAPPEARANCE |
POST-SURVEILLANCE
ART POSTER/THE POETICS OF SURVEILLANCE |
POST-SURVEILLANCE
ART POSTER/MYSTIC_02 |
|
|
|
|
|
POST-SURVEILLANCE
ART POSTER/AMAZON ACID FLASHBACK |
POST-SURVEILLANCE
ART POSTER/GOOGLE BOOGIE ALIEN |
POST-SURVEILLANCE
ART POSTER/BIG DATA |
POST-SURVEILLANCE
ART POSTER/WORLD OPEN DAY |
POST-SURVEILLANCE
ART POSTER/THE SUBLIME OBJECT OF SURVEILLANCE |
|
...what
has changed for me personally, post Snowden, is not an
awareness of our new condition, but the knowledge that
now almost everybody else knows...something which was
clear as day if you kept your eyes open, did a bit of
research... it's restful no longer being called a conspiracy
theorist...I can make this new work feeling its context
may now be accessible to a broader audience, even a mainstream
artworld audience, those who took little notice of the
early issues of the politics of the net, net art and all
that parallel, mostly invisible and often misrepresented
art and theoretical history of the 1990s, and are now
seeing internet related art as if for the first time in
the form of the new market driven and apolitical, 'Post-Internet
Art' movement... Dear all, this work is for you, it can
be your new pinup, free of charge...click to see larger
versions, email me if you want a 300 dpi printable file...'sharing'
does not have to mean giving all your personal data to
government security agencies via social media for free... (2014)
|
POST-SURVEILLANCE
ART POSTER/HOMELAND DEFENCE ALIEN |
|
INTERVIEWS
Dazed and Confused
Cybernetics and the post-surveillance age
Interview with Ashleigh Kane, October 2014
• Read full interview
Apollo Magazine
Post-Surveillance: Suzanne Treister's riposte to 'Post-Internet' art
Interview with Digby Warde- Aldham, August 2014
• Read full interview
|
Venues/Installation views:
Maggs Gallery, London, England
Post-Surveillance Art, solo show
(June 11-24 2014)
Installation views
Primary, Nottingham, England
Post-Surveillance Art, solo show
(April 10 - May 9 2015)
Installation views
Pierogi The Boiler, Brooklyn, New York, USA
In the show, Anonymity no longer an option
(May 8 - 17 2015)
Installation views
Halle 14, Leipzig, Germany
In the show, Control Mode Feedback
(12 Sept – 8 Nov 2015)
Installation views
Digital Catapult, London, England
In the show, Hybrid Landscapes
(April 2017- Nov 2019)
Installation view
Canberra Contemporary Art Space, Canberra, Australia
In the show, Tainted Love
(16 Aug – 12 Oct 2019)
Science Gallery, London, England
In the show, ON EDGE – Living in an age of anxiety
(19 September 2019 – 12 January 2020)
Installation views
The Glucksman, University College Cork, Ireland
In the show, Data Streams
(1 Dec 2021 – 7 March 2022)
Installation views
|
|
|
|
|
|
|
|
Treister
homepage
|